Plot: A young man (André Mattoni) suspects that his grandfather’s (Hermann Picha) housekeeper (Rosa Valetti) is trying to kill him to get to his money. So the young man tries to warn his by then isolated grandfather of her machinations by showing him a film. In that film, Tartüff (Emil Jannings) pretends to be a devout priest. He is staying with Herr Orgon (Werner Krauss) and his wife Elmire (Lil Dagover). Elmire is suspicious of Tartüff and his intentions, but Orgon doesn’t want to hear it…
Herr Tartüff is an enjoyable film and Becce’s music is really quite something. I wouldn’t have needed the entire thing to be longer than it was, but I had a good time throughout.
The Doorman (Emil Jannings) has been working in the big hotel for a very long time and he takes a lot of pride in his job. But he is also getting old. After carrying a particularly heavy suitcase, he has to take a break – which the Hotel Manager (Hans Unterkircher) sees. He decides that the Doorman isn’t up to the task anymore and that he should do something less strenuous, so he makes him washroom clerk. But the Doorman can’t handle the demotion this means and starts to unravel.
The last F.W. Murnau/Emil Jannings cooperation I saw (Faust) already blew me away, but this film blew me even further (I should make a project or something of watching all their stuff). Both the story and Jannings’ acting had me completely in their grip and I could still cry when I think about it.
Mephisto (Emil Jannings) is pretty much screwing the world over, sending disease and hunger and death. To put an end to all this, an archangel delivers a wager to him: if Mephisto can get the scholar Faust’s (Gösta Ekmann) soul, the earth is his. If Faust stays strong, Mephisto has to stop. So Mephisto comes to earth to tempt Faust: he gives him knowledge and youth at first and later helps him to get through to the young Marguerite (Camilla Horn).