Plot: After having her fortune told by a parrot, Stanzi (Romy Schneider) knows that she has to come to Vienna to visit her aunt Therese (Magda Schneider) who runs a bakery there. Right when she arrives, Stanzi gets caught up in a ball where she utterly confuses Baron Zorndorf (Gunther Philipp) who thinks her a countess. But the Baron is quickly forgotten when Stanzi meets the young drummer Willy (Siegfried Breuer Jr.) whose head is filled with music. When Stanzi sees an opportunity to help Willy by contacting the Kaiser (Paul Hörbiger) on his behalf, she takes it, even if that spells embarrassment for her aunt and the court counselor Hofwirth (Josef Meinrad) who is trying to court Therese.
Die Deutschmeister is a film that basically consists entirely of kitsch and is seasoned with a couple of charming characters. If you’re looking for Monarchy nostalgia and an intense dose of sugar, this is the film to turn to.
Plot: Countess Melanie (Maria Holst) and Count Georg von Wolkersheim (Willy Fritsch) have not been married very long, but are very happy with each other. Melanie is excited because they are about to arrive in her hometown Vienna for the first time since they got married. Georg has to attend the Congress of Vienna and Melanie can’t wait to dance again at Vienna’s lavish balls. But they quickly realize that Georg just wants to work and expects Melanie to have no fun either. This causes a rift in their marriage that they may not be able to repair.
Wiener Blut concluded the Willi Forst retrospective at the Filmarchiv and it’s probably the distillation of the films he is known for. But I thought that compared to some of his other films, Wiener Blut is just okay and not the best thing he ever made.
Plot: Friedrich Mitterer (Werner Krauss) is the star of the Viennese Burg Theater. The eccentric and basically socio-phobic star. He has the prompter Sedlmayer (Hans Moser) take care of most of his social interactions. Even when he meets the young Leni (Hortense Raky) who finds really charming, he relies on Sedlmayer to establish contact. With these social skills, it’s no wonder that he doesn’t notice that Leni is head over heels for the aspiring actor Josef (Willy Eichberger). When Leni finds an invitation for the Baroness Seebach’s (Olga Tschechowa) weekly party for the rich and famous at Mitterer’s place, she steals it without thinking and gives it to Josef, setting quite a few things in motion.
I had forgotten that I’d seen Burgtheater before. Seeing it again, I started to remember, but only vaguely. This time, I didn’t love it as much as the first time – and it generally struck me very differently. It does have a pretty great and very memorable character in Mitterer, though.
Plot: The painter Heideneck (Anton Walbrook) tends to draw the attention of women. His latest flame is the married Anita (Olga Tschechowa), but Heideneck isn’t all that interested in her anymore. Anita’s sister-in-law Gerda (Hilde von Stolz) thinks that Heideneck could be a wonderful distraction from her rather boring marriage. After they meet at a grand masquerade, she simply comes to his studio and he paints her – in the nude. When nothing more happens, Gerda leaves disappointed. Unbeknownst to Heideneck, the drawing is delivered to the newspaper to be printed as his illustration of the masquerade. The drawing causes quite a stir in Viennese society and Heideneck has to make sure that the identity of his model is neither revealed nor falsely assumed. So he simply makes up a name – not knowing that there actually exists a Leopoldine Dur (Paula Wessely) who gets drawn into the scandal without even realizing.
Maskerade is absolutely fantastic. I already liked Leise flehen meine Lieder, but Maskerade is even better – funny and charming and very stylish.
Plot: Franz Schubert (Hans Jaray) makes his living as a school teacher, but he is barely scraping by and always dreams of making music. When he has to pawn one of his instruments just to get by, pawn shop worker Emmi (Luise Ullrich) takes a shine to him. And Franz seems to like her, too. But right when his career seems to take a turn and he gets the chance to play at an important soiree, he crushes all hopes when he is unable to keep his temper in check when somebody in the audience laughs during his piece. Franz has to accept a teaching position in the country to make his living, a position with none other but the young woman in the audience who laughed at him – Duchess Eszterhazy (Mártha Eggerth).
Leise flehen meine Lieder is a very romantic take on a story that probably wasn’t as romantic. It works with music beautifully and I liked it.
Plot: Austria has a new government and the new Chancellor (Eugen Neufeld) is a raging antisemite. He manages to pass a new law that will force all Jews to leave by the end of the year. The law is received with great enthusiasm, and the Jews actually do leave, although there are some people who are against it like the Jewish artist Leo (Johannes Riemann) and the girl he is in love with, Lotte (Anny Miletty), daughter of a politician who voted for the banishment. But once the Jews are gone, it doesn’t quite have the intended effect.
Of course, from today’s perspective Die Stadt ohne Juden seems both prescient and not exactly great activism anymore. In any case, it’s a chilling historical document and an interesting film.
Friedrich Mitterer (Werner Krauss) is the star of the Viennese Burg Theater. The eccentric and basically socio-phobic star. He has the prompter Sedlmayer (Hans Moser) take care of most of his social interactions. Even when he meets the young Leni (Hortense Raky) who finds really charming, he relies on Sedlmayer to establish contact. With these social skills, it’s no wonder that he doesn’t notice that Leni is head over heels for the aspiring actor Josef (Willy Eichberger). When Leni finds an invitation for the Baroness Seebach’s (Olga Tschechowa) weekly party for the rich and famous at Mitterer’s place, she steals it without thinking and gives it to Josef, setting quite a few things in motion.
I really enjoyed Burgtheater. It’s funny, charming and entertaining. And the cast is absolutely excellent .