Plot: In the middle of a global pandemic, Martin (Joel Fry) arrives in a nature reserve to join his colleague Olivia (Hayley Squires) in research. Park ranger Alma (Ellora Torchia) is supposed to lead him to the scientist’s camp in the woods. As they walk, Alma realizes, though, that Martin has a bit more than a professional connection to Olivia. Before they arrive at the camp, Martin and Olivia get attacked, though. There is generally something strange going on in this forest.
I have written it before, I will write it again: Ben Wheatley and me is a combination that just doesn’t work. That’s also true for In the Earth that I found a little muddled at best, and boring at worst.
Plot: Miss Luckmoore (Fatma Mohamed) is a shop assistant at a big department store. But ther is something else going on in the store than your usual shopping experience. Miss Luckmoore does sell a dress, though. In fact, she sells the same dress to several women. A cursed dress that spells trouble for all of the women who buy it.
In Fabric is a weird film, in a very special, entertaining and enchanting way. I thoroughly enjoyed every second of it from its horror to its absurd sense of humor.
Cat on a Hot Tin Roof Director: Benedict Andrews Writer: Tennessee Williams Cast: Sienna Miller, Jack O’Connell, Colm Meaney, Lisa Palfrey, Hayley Squires, Brian Gleeson, Richard Hansell Seen on: 22.2.2018
Plot: Southern plantation patriarch Big Daddy (Colm Meaney) is celebrating his birthday and the remission of his cancer, and his son Brick (Jack O’Connell) and his wife Maggie (Sienna Miller) are getting ready for the party. More or less. Brick has a broken leg and is drunk already. Maggie worries about Brick’s brother Gooper and his wife Mae (Hayley Squires) who she believes are trying to cut them out of the estate. And that’s not the only tension in the family. And things aren’t exactly great between Brick and Maggie either.
I really enjoyed this production of Cat on a Hot Tin Roof, even if not on all counts. But it’s a strong version of an excellent play and a great evening of theater.
Daniel (Dave Johns) has worked all his life – until he had a heart attack. Now his doctors haven’t cleared him to work yet, but after completing a standard questionnaire at the employment agency, they disagree. Now Daniel is caught in a conundrum: he can’t claim support on the basis on health issues because he is deemed healthy enough to work, but neither can he claim unemployment benefits because he can’t actually look for work. Caught in the bureaucracy he finds Katie (Hayles Squires), a single mother of two who just had to move to Newcastle and away from her entire support network or risk losing the government housing and support she so desperately needs. Daniel and Katie start facing this inhumane conditions together.
I, Daniel Blake is political cinema at its finest. It’s emotional, realistic and a damning statement about what’s left of the welfare system in the UK. If you don’t go out of the film ready to tear down neoliberal austerity politics, I really don’t know what’s wrong with you.