Plot: After Agamemnon returned from the Trojan war, his wife Klytaemnestra and her lover Aegith killed him and took over power. Their children survived: Orest was hidden and raised to avenge his father’s death, Chrysothemis tried to keep her head down and just survive, and Elektra devoted her time to remembering her father and dreaming of revenge. But now it appears that Orest has died in his exile without being able to fulfill his duty and Elektra has to see what she can do about that.
Elektra is an interesting play, but one that isn’t easily read – I would like to see it performed to see if I would react differently to it. (I’m not sure if I would enjoy the opera version, though.)
Plot: Countess Maria Theresia von Werdenberg (Huguette Duflos) is surprised by her cousin Baron Ochs auf Lerchenau (Michael Bohnen) while the young Octavian (Jacque Catelain) is in her room. Octavian quickly dresses up as a chambermaid and escapes notice, especially since Ochs has his own problems: he is looking to get married to Sophie (Elly Felicie Berger), hoping to get out of debt by the connection. The Countess suggests that Octavian could be his “Rosenkavalier”, his second in command for the wedding, a mix of messenger and wedding planner. Ochs agrees to the suggestion, but Octavian proves to be a difficult choice for everybody.
Der Rosenkavalier has beautiful music, but not much else about it worked for me, despite the obviously lavish production.