Plot: Richie Bravo (Michael Thomas) is a “schlager” singer whose heyday has long been over. He lives in Rimini now where he barely gets by with performances for busloads of German-speaking tourists, the occasional sex work and renting out his house to fans while he himself goes to stay in a shabby room in one of the many hotels that are empty for winter. When his estranged daughter Tessa (Tessa Göttlicher) shows up to demand money from him, Richie needs all his (more or less sleazy) survival skills to comply with her request.
Rimini is a typical Seidl movie in a way, but there is an almost optimistic note at the end of the film that is rather untypical. In any case, it’s the portrait of a sleazy man that spares nothing, as it is the portrait of a tourist town without tourists.
Plot: Hendrik (Leon Orlandianyi) and his little brother Eddie (Benno Rosskopf) move with their mother (Julia Koschitz) from Germany to Carinthia in the south of Austria. Their mother is a geologist who will study caves in the area. Hendrik is less thrilled about having to leave all his friends behind. And as soon as they move in the house, strange things start to happen with Eddie. Hendrik meets local kids Ida (Marii Weichsler) and Fritz (Lars Bitterlich) who tell him of the legends surrounding the house. Together the kids start to investigate.
Das schaurige Haus is a pretty perfect example for a kids’ horror film: it is always aimed at kids without being patronizing, funny, and it manages to be creepy in the right dose. Even though I’m not a kid anymore, I enjoyed it as well.
Teresa (Margarete Tiesel) leaves her teenaged daughter Melanie (Melanie Lenz) with her friend (Maria Hofstätter) and goes on holiday to Kenya with her friend Inge (Inge Maux). Part of her motivation to go is to find herself a young Kenyan for sex, love and connection. Initially hesitant, she soon does find a guy – Gabriel (Gabriel Mwarua). And then another. But being a Sugar Mama isn’t actually what she’s looking for.
Ugh. Paradies: Liebe is a really good film – which makes it extremely hard to watch. (Which is exactly what you should expect from an Ulrich Seidl movie.) Difficult subject matter, excellent cast and set in scene.