Plot: Lara Jean (Lana Condor) and Peter (Noah Centineo) are finally dating for real and things are good. That’s when Lara Jean receives a reply to one of her love letters that were sent out, a reply from John Ambrose (Jordan Fisher). The letter stirs up Lara Jean’s old feelings. And when John Ambrose shows up by chance as a volunteer at the senior home Lara Jean volunteers at, while things with Peter start to get more complicated, Lara Jean finds herself in an awkward position.
To All the Boys: P.S. I Still Love You hits all the right cuteness buttons that I’ve come to expect from both the books and the first film. If you’re looking from something nice and sweet and light, this is the way to go.
Ben (Idris Elba) and Alex (Kate Winslet) meet by chance at the airport in Denver where flights are being canceled due to the bad weather. Since Ben is scheduled to perform a surgery and Alex is supposed to get married, they really do need to get out of there, though. Realizing that they are both in the same boat, Alex suggests a solution: she knows a pilot, Walter (Beau Bridges), who can take them to their connecting flights on a private plane. They leave – but the plane crashes and Ben and Alex find themselves stranded on top of a mountain with nobody knowing where they are.
The Mountain Between Us is a nice romance film that is constantly being hampered by a bad adventure film that tries to push itself to the center of attention, making the entire thing a very weird experience.
Maddy (Amandla Stenberg) has severe combined immunodeficiency (SCID), meaning that her immune system is so weak that just being outside could literally kill her. So she grows up at home, cared for by her mother Pauline (Anika Noni Rose) and her nurse Carla (Ana de la Reguera), her social contacts pretty much limited to them, Carla’s daughter Rosa (Danube Hermosillo) and the internet. That is, until a new family moves in next door. Their teenage son Olly (Nick Robinson) catches a glimpse of Maddy, and they start a written correspondence that soon develops into something more.
There are many things that Everything, Everything gets right, but I’m not sure that they’re outweighed by the ableist fuckery the story devolves into.
After an accident Adaline (Blake Lively) has stopped aging. Fearing experiments done on her and persecution, she spent her life hiding and running so that nobody will notice that fact. Only her daughter Flemming (Ellen Burstyn), who by now looks like Adaline’s grandmother, knows the truth. But then Adaline meets Ellis (Michiel Huisman). He’s good-looking, charming, nice and rich, and has fallen head over heels for Adaline. She will now have to decide: does she keep running or does she risk people really getting to know her.
The Age of Adaline is just as cheesy as it looks and sounds – and very nice in all that kitsch.