Maddy (Amandla Stenberg) has severe combined immunodeficiency (SCID), meaning that her immune system is so weak that just being outside could literally kill her. So she grows up at home, cared for by her mother Pauline (Anika Noni Rose) and her nurse Carla (Ana de la Reguera), her social contacts pretty much limited to them, Carla’s daughter Rosa (Danube Hermosillo) and the internet. That is, until a new family moves in next door. Their teenage son Olly (Nick Robinson) catches a glimpse of Maddy, and they start a written correspondence that soon develops into something more.
There are many things that Everything, Everything gets right, but I’m not sure that they’re outweighed by the ableist fuckery the story devolves into.
After an accident Adaline (Blake Lively) has stopped aging. Fearing experiments done on her and persecution, she spent her life hiding and running so that nobody will notice that fact. Only her daughter Flemming (Ellen Burstyn), who by now looks like Adaline’s grandmother, knows the truth. But then Adaline meets Ellis (Michiel Huisman). He’s good-looking, charming, nice and rich, and has fallen head over heels for Adaline. She will now have to decide: does she keep running or does she risk people really getting to know her.
The Age of Adaline is just as cheesy as it looks and sounds – and very nice in all that kitsch.