Queen & Slim (2019)

Queen & Slim
Director: Melina Matsoukas
Writer: Lena Waithe, James Frey
Cast: Daniel Kaluuya, Jodie Turner-Smith, Bokeem Woodbine, Chloë Sevigny, Flea, Sturgill Simpson, Indya Moore, Benito Martinez, Jahi Di’Allo Winston
Seen on: 9.1.2020

Plot:
Slim (Daniel Kaluuya) and Queen (Jodie Turner-Smith) are on a blind date and things are not going particularly well. But they are still talking as Slim drives Queen home. That’s when they’re stopped by a police officer (Sturgill Simpson) who behaves pretty threateningly. Things get out of hand, and Slim ends up shooting the officer. In a panic, Slim and Queen take off, trying to figure out how to go from here – but their options are limited to say the least.

Queen & Slim is a strong film in many ways with a couple of serious missteps that keep the film from being really great, unfortunately.

The film poster showing Queen (Jodie Turner-Smith) and Slim (Daniel Kaluuya) in a black-and-white image.

[SPOILERS]

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Proud Mary (2018)

Proud Mary
Director: Babak Najafi
Writer: John Stuart Newman, Christian Swegal, Steve Antin
Cast: Taraji P. Henson, Billy Brown, Jahi Di’Allo Winston, Neal McDonough, Margaret Avery, Xander Berkeley, Rade Serbedzija, Erik LaRay Harvey, Danny Glover
Seen on: 17.7.2018

Plot:
Mary (Taraji P. Henson) is a contract killer and a damn good one. She never had any problems with doing her job but after she shoots Marcus Miller, she discovers that he has a son, Danny (Jahi Di’Allo Winston) – and she finds that she can’t let him go, watching him from afar. Danny’s circumstances haven’t become better since his father’s death. He lives on his own and became involved in drug dealing, working for Uncle (Xander Berkeley). But when things go south on one of his deals, Mary steps in and takes Danny under her wing. The thing is that she does so by upending the entire balance of Boston’s underworld.

I was really looking forward to Proud Mary – and disappointed that it never made it to cinemas in Austria. Now that I’ve seen it, I understand why it was buried, though. It really doesn’t work.

The film poster showing Taraji P. Henson's face in pink-and-white, with characters and scenes from the film arranged around her head to make an afro, also in pink-and-white.
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