David Lipsky (Jesse Eisenberg) is a writer. He just published his first novel, more or less at the same time that David Foster Wallace‘s (Jason Segel) Infinite Jest came out, against the backdrop of which Lipsky’s own novel disappears. Jealous he reads it and finds that the critics were right with their praise of Wallace’s novel. So Lipsky arranges for an interview with Wallace for Rolling Stone magazine. Wallace, notoriously publicity shy, agrees to have Lipsky trail him for a few days during the end of his book tour.
The End of the Tour may have occasional lengths, but for a film that is basically just an extended conversation between two people, it is incredibly engaging and well-made.
Samantha’s (Molly Ringwald) life is pretty awkward at the moment. Her sister is getting married which has thrown her entire family into confusion. So much so, that it appears that they forgot Samantha’s sixteenth birthday. But that’s only a small part of Sam’s problems. She’s also in love with Jake (Michael Schoeffling) who has a gorgeous girlfriend (with actual boobs) and barely knows Sam exists. Or so she thinks. The only guy who is actually hitting on her is a major geek (Anthony Michael Hall). And there is a school dance that very night.
Sixteen Candles is sweet and fun and despite the fact that it is obviously a product of its time, it’s a somehow refreshing film. But it’s not great.
Charlie (Logan Lerman) writes anonymous letters to somebody he doesn’t actually know. He writes about returning to high school after his best friend killed himself the year before. He writes about the books he reads and the special support he gets from his English teacher (Paul Rudd). He writes about his Aunt Helen (Melanie Lynskey) who died. He writes about his sister (Nina Dobrev) and her boyfriend (Nicholas Braun). And when he meets Sam (Emma Watson) and her step-brother Patrick (Ezra Miller) he writes about them, their relationships and how through their friendship he slowly starts living his own life.
After I fell in love with the book so surprisingly but oh so deeply, I have to admit that the movie is not quite as good as that. But it is an excellent piece of work that I did enjoy a whole lot.
Red Riding Hood (Hayden Panettiere) started training with the Sisters of the Hood to learn the sacred art of kung fu bakery and left The Big Bad Wolf (Patrick Warburton) and Granny (Glenn Close) to take care of the bad guys by themselves. That doesn’t really work out that well. While trying to save Hansel (Bill Hader) and Gretel (Amy Poehler), Granny gets kidnapped and Red Riding Hood has to rescue her. At the same time she also has to figure our who stole the recipe for the supertruffel from the Sisters.
I liked Hoodwinked a lot. But Hoodwinked Too was pretty disappointing. A huge factor of this disappointment was that the German dubbed version was the only version I could see (legally). For a film that relies so much on puns, that’s pretty much a death-sentence right there. But the translation didn’t change the inanity of the plot, nor did it produce the fat-hatred that was casually inserted into the movie.
Andy (John Morris) is almost ready for college, which makes his toys a little insecure. Woody (Tom Hanks) and Buzz (Tim Allen) have their hands full trying to keep everybody calm, telling them that they won’t be thrown out, but they will come to the attic, where they’ll spend a nice retirement together. Unfortunately, by accident, they end up in a day care center, which at first seems to be the perfect place to be but soon turns out to be a place of ruin and despair, ruled by an evil bear who smells of strawberries.
I am a big fan of Toy Story 1 & 2, so I was waiting for this with a lot of trepidation: Would it be a good addition to the series or would it ruin the previous two movies? Would it be able to be as charming as the first two films, which are also laced with nostalgia? Thankfully, my fear was for naught, because Toy Story 3 is completely awesome.