Swede (Ewan McGregror) and Dawn (Jenniger Connelly) have pretty much the perfect 50s life: he is successful, she is beautiful and they married out of love, of course. Their daughter Merry finally completed their life, despite her stutter. But now Merry (Dakota Fanning) is a teenager and she’s rebelling against everything. Swede and Dawn find out just how much she’s rebelling when they’re confronted with the suspicion that Merry was involved in a bombing that ended fatally. Merry herself disappears and Dawn and Swede are left desperately trying to piece together what happened to her.
Given that American Pastoral was based on a Roth novel, I didn’t set my hopes for the film too high, but in a moment of weakness prompted by McGregor’s prettiness, I decided to watch it anyway. I shouldn’t have bothered.
Mick Haller (Matthew McConaughey) is pretty much the definition of a sleazy lawyer. But then he takes on the defense of Louis Roulet (Ryan Phillippe), a rich kid accused of murder. Together with his best friend, private detective Frank Levin (William H. Macy) he digs into the particulars of the case. Pretty soon he discovers that the story Louis is telling can’t be quite true – and there might be a connection to one of Mick’s old cases.
The Lincoln Lawyer is basically the cinematical equivalent of fast food. There’s some nurtitional value to it, it will satisfy your hunger – but only for a little while. Is it a culinary delight? Well, no. But it does its job without leaving much behind, good or bad.