Mifti (Jasna Fritzi Bauer) lives with her brother (Julius Feldmeier) and sister (Laura Tonke), their rich father (Bernhard Schütz) having other ideas of how to spend his time than with his children. Mifti drifts through Berlin, barely going to school. But when she does, she meets Ophelia (Mavie Hörbiger), an actress who has been sentenced to community hours in the school kitchen. The two start drifting through Berlin’s club scene together. It’s around that time that Mifti also meets the intriguing, much older Alice (Arly Jover) in the supermarket who sparks her fantasies.
Axolotl Overkill is a fascinating, well-made film that is a little marred by its author/director. But that shouldn’t keep you from seeing it.
Psychoanalyst and philosopher Lou Andreas-Salomé (Nicole Heesters) has lived an interesting life and now that she is getting older, she is ready to tell her life story. Watched by her maid Mariechen (Katharina Schüttler), young writer Ernst Pfeiffer (Matthias Lier) comes to her house to write her biography: when Lou was younger (Katharina Lorenz), she fell in love with philosophy and psychoanalysis, while men around her kept falling in love with her – men like Friedrich Nietzsche (Alexander Scheer), Paul Rée (Philipp Hauß) or Rainer Maria Rilke (Julius Feldmeier). But all Lou wanted was to live life on her own terms.
Lou Andreas-Salomé is an excellently acted and beautifully filmed biopic with an interesting structure about a fascinating woman. But unfortunately it attempts too much and too little at the same time to make it well-rounded.