Plot: Armin (Hans Löw) is growing older, though you couldn’t tell it from the life he’s living or the women he’s hitting on. It’s obvious that things can’t go on much longer the way they are. But it’s not Armin who gives in – he wakes up one morning and the world is changed around him: he seems to be the only person left. In this wasteland, Armin has to build himself a new life, relying only on himself.
It is interesting to contrast and compare In My Room with The Wall, but other than that there was little that I enjoyed about watching it. I found it pretty exhausting to be quite honest.
Plot: Mati (Sophie Stockinger) loves nothing more than to ride around on dirt bikes with her (male) friends, above all Sebastian (Jack Hofer). They are loud and brash and cause trouble in the area. But shortly before her final exam in school, Mati is thrown for quite a loop when Sebastian confesses that he is in love with her and Mati meets the older Carla (Julia Franz Richter) who she is drawn to. Both of these things threaten Mati’s standing with her guy friends and force her to make decisions.
I really liked L’animale, even though it gets a little too on the nose with its parallels and metaphors at times. But it’s a strong, emotional, well-made and queer coming-of-age film – and there can never be enough of those.
Plot: Maria-Theresia Paradis (Maria Dragus) is a gifted musician who lost her eyesight at a young age for no apparent reason. Now her parents have heard about the revolutionary methods of physician Franz Mesmer (Devid Striesow) and they are hoping that he will be able to restore her eyesight. So Maria-Theresia is brought to his castle where Mesmer sets to work. Soon their relationship becomes very intense and there seems to be improvement in her condition.
I was hoping I would like Licht more than I actually did. Unfortunately I was unhappy with the way the film dealt with disability and I felt that it had considerable lengths.