Plot: Lexi (Gemma Brockis) has left London in a hurry. After her mother’s death and with her marriage crumbling, she decided to go to Los Angeles to find her father. He left her mother and her when Lexi was just three years old and she hasn’t seen him since. But there are a couple of breadcrumbs that she can follow. She rents a room in a seedy motel and starts the search.
No Light and No Land Anywhere isn’t always easy to watch but that’s just because it is so effective in transporting Lexi’s emotions. So, even if it isn’t easy, it’s certainly worth to work for it.
Kent (Kent Osborne) is dreaming of a seqel to Uncle Kent, a film he shot together with his nephew Joe (Joe Swanberg). But Joe isn’t interested in doing sequels, so he refers Kent to a friend. But Kent might have other things to worry about anyway. He’s about to travel to San Diego Comic Con, although his doctor (Steve Little) asks him not to because there’s something wrong with him. But Kent goes anyway. Things there become weirder and weirder. So weird, in fact, it might just be the end of the world.
I really enjoyed Uncle Kent 2. It goes into a completely different direction from the first film, but it’s a turn I could go along with without problem.
Kent (Kent Osborne) is working on an animated film. His life is rather withdrawn. He gets occasional visits from his nephew Joe (Joe Swanberg) and otherwise spends a lot of time online. Direct personal encounters usually end rather awkwardly. Through ChatRoulette he meets Kate (Jennifer Prediger). Since she has to spend the weekend in the city, Kent offers that she can stay at his place. Kate accepts. Although she has a boyfriend, it becomes clear pretty quickly that Kent would like their meeting to become romantic.
Uncle Kent is a weird film, somewhere between fiction and reality. I probably would have never seen it, if the /slash Filmfestival hadn’t announced that they’d be showing the sequel. But I am glad I did.