George (James Franco) and Lenny (Chris O’Dowd) are a team, working as hired hands on farms. But Lenny, who has a mental disability, got them fired from their last job when his attempt to pet the skirt of a girl was mistaken for a sexual assault. They had to leave in a hurry, but have found a new job already, which starts off well enough with their coworkers Candy (Jim Norton) and Slim (Jim Parrack), and less well with their boss Curly (Alex Morf) and his flirty wife (Leighton Meester). George and Lenny are dreaming of buying a bit of land together and becoming independent – a dream that suddenly becomes very attainable when Candy offers to pitch in. But attainable isn’t the same as attained and money isn’t the only issue.
This version of Of Mice and Men really was a very straightforward production that focused on making the characters and their actors shine. And shine they did.
Hank (Robert Downey Jr.) fled from his hometown and his harsh, strict father (Robert Duvall), a well-respected judge, as soon as he was able to and never returned. Now a successful lawyer, Hank finally has to make the trip back home after his mother dies. But practically as soon as he arrives, his father becomes a murder suspect, forcing Hank to stay longer and not only confront his feelings about his father, but also his two brothers Dale (Jeremy Strong) and Glen (Vincent D’Onofrio), and even his old girlfriend Samantha (Vera Farmiga).
I wouldn’t have thought it possible that a film with that cast could ever bore me – because if all else fails, there’d still be this brilliant cast to watch – but thanks to a really bad script and uninspired direction, the film managed just that.