Fun for Teens, References for Me

When St. Trinian’s came out here, I figured I had to see it, because of Rupert Everett, Stephen Fry, Colin Firth and Russell Brand. Plus, it’s always nice to see Lena Headey. I haven’t seen any of the old movies, nor read the book or had any other connection to St. Trinian stuff before. [Just so you know.]

I think it’s mostly a film aimed at teenagers [My teenage sis will love it, I think.] and men who get off on sexy school girls. Which can potentially make for a pretty weird crowd in the theatre.

Gemma Arterton (middle) will be in the next Bond… and she’s definitely a good choice, at least considering sex appeal.

Anyway, the humour was mostly a bit bland, boring so to say… It had the usual jokes. It was nice, but it didn’t leave me rolling on the floor.

Except when Colin Firth and Rupert Everett were seen together and the movie references just flew around.

Ms. Fritton (Rupert Everett): We met in college. It was another time.
Geoffrey Thwaites (Colin Firth): And Another Country.

Or when Geoffrey walks up to Ms. Fritton in his wet white shirt, which was so much more revealing than in Pride and Prejudice. [And while we’re at it, how come Anna Chancellor always gets the Miss Bingley roles?]

Well, summarising, it was nice, had some good scenes, but I just wasn’t the target group.

[SPOILER WARNING FOR MAMMA MIA!, OF ALL THINGS.]

[Oh, and btw, maybe you remember that when I posted about Mamma Mia! there was this comment, where Dee told me that Colin Firth couldn’t possibly be uncomfortable with portraying a gay character because he kisses Rupert Everett in St. Trinian’s. Well, he doesn’t. Sure, they get together in the end, but there’s never more than a hug seen on screen.
Which pissed me off. Seriously, people, I didn’t go to this movie to see them make out (although that would have been an attractive sight), but if you have two guys, who get it on together (regardless if one of them dresses up as or plays a woman or not), show them kissing, just as you would with a heterosexual couple. It is not shocking anymore (or, the people who are still shocked by this, need to be), it’s just plain weird when you have loads of special shoulder squeezes. Really.]

Further Reading:

An Interview with Anna Chancellor

Thank Goodness, the 70s are over…

I saw Mamma Mia! and, boy, am I glad that nobody dresses in silver (or violet or blue or …) one piece body suit thingies anymore.

What can I say, I don’t think I need to see it ever again. There were some funny scenes (when they sing Dancing Queen or Does Your Mother Know), I really loved the interpretation of Lay All Your Love On Me, but if I ever want to see them again, there’s youtube.

So, what was wrong?

First, most of the main actors couldn’t sing. Except for Amanda Seyfried and Dominic Cooper, who were obviously cast for their singing abilities and not their popularity, it was awful. The best thing I can say is that I don’t really remember Stellan Skarsgard‘s singing and that Julie Walters‘ singing didn’t suck completely. Pierce Brosnan probably would have a nice rock voice, but not a good voice for singing ABBA songs, which are too high for him.

Apart from the singing, there was the acting, which had theatre written all over it, in huge, blinking, red neon letters. Theatre acting is not bad in itself, but it is different from movie acting for a reason. When you got a camera that catches every wrinkel in your face, there is no need for big gestures, they just seem weird. Which is exactly what happened here. And they managed to make Meryl Streep seem like she can’t act. Which is some kind of achievement, I guess.
Also, the way the story was structured is very theatre-like. I guess that’s due to Phyllida Lloyd, who also directed the Broadway version.
They could have done a little more adapting. Just a bit.

[SPOILER]

Colin Firth, I love him. No doubt about that. But he was completely miscasted. If there’s someone, who screams “straight” with every pore of his body, it’s him. And he seemed so completely, amazingly and unbelievably uncomfortable with hugging the young guy, who played his lover, that I actually pitied him for having to do that (I wouldn’t have minded, the guy was cute…).

[END SPOILER]

Okay, that probably sounds like I suffered the whole time, which is not true. I enjoyed Julie Walters (she’s just good in everything she does. And she’s really cool as Elvis) and Christine Baranski a lot, as well as Stellan Skarsgaard.

I laughed and I like the music (every 5 years or so, I even dig out the Best Of CD I own and listen to it), it was fun to see the young hippy versions of the guys and Meryl Streep.

I probably would have enjoyed it more, though, if I had been alone in the movie. Well, my sister could have stayed, but that’s it. People actually clapped along. Newsflash, dear audience: THEY CAN’T HEAR YOU! I understand that sometimes you might want to sing along softly, a verse or two. But clapping??? Really not happening.
[Deadra meant that I’d have to see it more like those Sing-Along Rocky Horror Picture Show showings. To which I say: You’ve gotta earn the right by dressing up first, then you can sing along and shout Weiss and throw toilet paper as much as you want (though I haven’t heard of anybody clapping along). But before I don’t see anybody in one of those one piecers and those shoes, and before I don’t get a warning that those things will happen before I buy the ticket, I stay annoyed.]

But what really killed me, was the buzz in the toilet afterwards, people screaming out “Dancing Queen, young and sweet, …” and one woman in particular, who said to a friend, “I love Colin Firth. But already since 1995, when he was in Pride and Prejudice…” [Translation: “I saw him first, he’s mine, mine, mine!”] [Well, I saw Valmont and that film is older, so he must be mine… But wait, L. saw Another Country before me, so he must be hers!]. I actually had the strength not to laugh out loud. Who’s the bigger person now?