Licht [Mademoiselle Paradis] (2017)

Licht [literally: Light]
Director: Barbara Albert
Writer: Kathrin Resetarits, Barbara Albert
Based on: Alissa Walser‘s novel Am Anfang war die Nacht Musik
Cast: Maria Dragus, Devid Striesow, Lukas Miko, Katja Kolm, Maresi Riegner, Johanna Orsini-Rosenberg, Stefanie Reinsperger, Christoph Luser, Susanne Wuest, Theresa Martini, Julia Pointner
Seen on: 23.11.2017
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Plot:
Maria-Theresia Paradis (Maria Dragus) is a gifted musician who lost her eyesight at a young age for no apparent reason. Now her parents have heard about the revolutionary methods of physician Franz Mesmer (Devid Striesow) and they are hoping that he will be able to restore her eyesight. So Maria-Theresia is brought to his castle where Mesmer sets to work. Soon their relationship becomes very intense and there seems to be improvement in her condition.

I was hoping I would like Licht more than I actually did. Unfortunately I was unhappy with the way the film dealt with disability and I felt that it had considerable lengths.

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Egon Schiele: Tod und Mädchen [Egon Schiele: Death and the Maiden] (2016)

Egon Schiele: Tod und Mädchen
Director: Dieter Berner
Writer: Hilde Berger, Dieter Berner
Cast: Noah Saavedra, Maresi Riegner, Valerie Pachner, Marie Jung, Larissa Breidbach, Elisabeth Umlauft, Thomas Schubert, Daniel Sträßer, Cornelius Obonya, Michael Kreihsl
Seen on: 7.11.2016

Plot:
Egon Schiele (Noah Saavedra) and his sister Gerti (Maresi Riegner) are close and she supports him in his art, generally and by posing as a model for his paintings. But Gerti is not the only woman who inspired and supported Egon’s art. Next to Gerti, the most important is Wally (Valerie Pachner) who started out as a model for Gustav Klimt (Cornelius Obonya) and becomes Egon’s biggest love. His mostly nude or half-nude portraits of Wally and other women become a great provocation in Austrian society.

Egon Schiele: Tod und Mädchen is an interesting biopic that gives a good idea of Schiele’s (short) life and work and manages to entertain while it’s at it.

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