Barbaque [Some Like It Rare] (2021)

Barbaque
Director: Fabrice Eboué
Writer: Fabrice Eboué, Vincent Solignac
Cast: Fabrice Eboué, Marina Foïs, Jean-François Cayrey, Lisa Do Couto Texeira, Virginie Hocq, Victor Meutelet, Stéphane Soo Mongo
Part of: SLASH 1/2 Filmfestival
Seen on: 7.5.2022

Content Note: fatmisia

Plot:
Vincent (Fabrice Eboué) and Sophie (Marina Foïs) run a small butcher shop together, and things have been slow. It seems inevitable that they will have to close soon and bow to the pressures of bigger stores. Their marriage seems equally doomed to fail. And then their store is attacked by vegan activists to boot. When they just happen to pass one of the activists as he cycles along the road, Vincent loses it – and kills him. Next thing you know, the two are selling the vegan’s meat. And this might just be the thing to safe the store and the marriage, both. If only it wasn’t so hard to get.

Some Like It Rare is a funny film, although not every joke works equally and sometimes, it kicks down a little. Overall, I did have fun with it, though.

The film poster showing Vincent (Fabrice Eboué) and Sophie (Marina Foïs) posed over a fat body like hunters with their trophy. Vincent is holding a gun.
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L’atelier [The Workshop] (2017)

L’atelier
Director: Laurent Cantet
Writer: Robin Campillo, Laurent Cantet
Cast: Marina Foïs, Matthieu Lucci, Florian Beaujean, Mamadou Doumbia, Mélissa Guilbert, Warda Rammach, Julien Souve, Issam Talbi
Part of: Viennale
Seen on: 27.10.2018
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Plot:
Olivia (Marina Foïs) is a respected novelist who is participating as a teacher in a summer class for underprivileged kids. The seven participants are supposed to write a story together but one of them, Antoine (Matthieu Lucci) won’t play along. His writing is filled with violence and empathy for the perpetrators of it. His behavior in class is antagonistic, racist and shows him sympathizing with neo-nazis and fascism. Olivia struggles with the situation in a class where most of her students aren’t white. But she’s also intrigued by Antoine’s obvious intelligence and tries to find out more about him.

L’atelier could have been interesting if it had been the film I was hoping to see and not yet another story that asks us to please empathize with the neonazi. Maybe if the film hadn’t been made by white people, it would have been good.

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L’immortel [22 Bullets] (2010)

L’immortel is Richard Berry‘s newest film, based on Franz-Olivier Giesbert‘s book, starring Jean Reno, Marina Foïs and Kad Merad.

Plot:
Basically, 22 Bullets is Kill Bill with Jean Reno instead of Uma Thurman: Charly (Jean Reno) is a retired mafia man. He lives a calm life with his family but suddenly there’s a massive attack on his life and Charly gets hit 22 times. But he survives. As he slowly recovers, he tries to understand what happened, who attacked him and why. And he wants to get revenge.

22 Bullets is firmly set in its genre conventions. There is nothing exciting, new or extraordinary about it – but it’s a very nice, practically textbook example of a revenge thriller that works fine. You know, it’s that kind of film.

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