Vienna in the not too distant future. People have lost their right to simply die: after you pass away, your body is reanimated, put into a vegetative state and used as processing power or storage device, put to work to pay off the debts you’re sure to have left behind. The only thing that will keep you from becoming a computer part is a death insurance – and Vincent (Clemens Schick) is the best salesman of this of course very expensive insurance. When his boss (Marion Mitterhammer) gives him the task of convincing Wladimir (Daniel Olbrychski) of getting an insurance, he finds himself confronted with Wladimir’s daughter Lisa (Lena Lauzemis) who is fighting to get everybody their right to death back.
I saw Stille Reserven a while ago at a test screening where they showed an almost but not quite finished version of it and asked for feedback. I was not particularly taken with it then, but I wanted to see it once more as a finished product (also to support Austrian SciFi) before judgding it completely. Unfortunately, neither the film nor my impression of it changed much in the meantime. There was just too much about it that was utterly familiar.
Charlie Kolostrum (Axel Ranisch) is a “sitter”, according to one of his self-help books. Not a doer, but one of the people who sit around waiting for things to happen. So he sits through school where he is in love with his girlfriend’s (Stefanie Reinsperger) best friend (Katharina Strasser), mostly ignored by his mother (Marion Mitterhammer) and overfed by his aunt (Bibiana Zeller). And then he sits through university, where he studies Art History [not because he has a particular interest but because according to the study adviser (Michael Ostrowski) is has the prettiest women – and that’s everything Charlie can muster some kind of enthusiasm]. Dividing his time between uni and his membership in the socialist students union the years pass.
Wie man leben soll is by no means a bad movie but I didn’t really like it a whole lot because I just couldn’t stand Charlie. But despite that the film had its moments.