È stata la mano di Dio [The Hand of God] (2021)

È stata la mano di Dio
Director: Paolo Sorrentino
Writer: Paolo Sorrentino
Cast: Filippo Scotti, Toni Servillo, Teresa Saponangelo, Marlon Joubert, Luisa Ranieri, Renato Carpentieri, Massimiliano Gallo, Betty Pedrazzi, Biagio Manna, Ciro Capano, Enzo Decaro, Lino Musella, Sofya Gershevich
Part of: surprise film at the Viennale
Seen on: 26.10.2021

Content Note: sexism, fatmisia, ableism, domestic violence, sexualized harrassment

Plot:
Fabietto (Filippo Scotti) is a teenager in Naples with a large, boisterous family. Pretty much everyone around him is talking about Diego Maradona and whether he will come to play for Naples or not. There is a note of chaos in the implication of that possibility – a chaos that is well familiar to Fabietto and his family who live it everyday. That chaos lies in Fabiè’s crush on his aunt Patricia (Luisa Ranieri), and his parents Saverio (Toni Servillo) and Maria’s (Teresa Saponangelo) relationship, and the entire extended family. It’s not easy growing up in these circumstances, but Fabiè doesn’t really have a choice there.

I absolutely hated The Hand of God. It’s a film that isn’t just set in the 80s, it’s also stuck in times long past with its sense of humor. I’m honestly not sure if I actually remember all the things I should be writing Content Notes for. In any case, I was really pissed that I saw this.

The film poster showing Patricia (Luisa Ranieri) standing in a dilapitated, but formerly very grand room in front of a giant chandelier that is lit, but resting on the ground.
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Gatta Cenerentola [Cinderella the Cat] (2017)

Gatta Cenerentola
Director: Ivan Cappiello, Marino Guarnieri, Alessandro Rak, Dario Sansone
Writer: Ivan Cappiello, Marino Guarnieri, Alessandro Rak, Dario Sansone, Marianna Garofalo, Corrado Morra, Italo Scialdone
Based on: Cenerentola, Giambattista Basile‘s take on Cinderella
Cast: Mariacarla Norall, Massimiliano Gallo, Maria Pia Calzone, Alessandro Gassmann
Part of: /slash Filmfestival
Seen on: 30.9.2018
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Content Note: sexualized violence, sexism, homomisia and racism

Plot:
Mia’s father was an engineer and he designed and built the Megaride, a huge ship with the most novel of technologies that lies in the port of Naples. But he was killed, leaving Mia (Mariacarla Norall) to grow up with her evil stepmother (Maria Pia Calzone) and her daughters. Growing up mostly ignored by everybody but her father’s bodyguard (Alessandro Gassmann), now that Mia is a teenager, her stepmother’s lover and the boss of Megaride Salvatore (Massimiliano Gallo) starts to take more of an interest in her.

Cinderella the Cat is an animation film for adults. And it appears that to make it perfectly clear that this isn’t a film for children, despite being animated and based on a fairy tale, the filmmakers decided that it should definitely have sexualized violence, sexism, homomisia and racism. No, thank you.

The film poster showing a young woman in a ball gown with a gun in her hands and the much bigger image of a man in sunglasses with a cigarette in his mouth.
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