Anna (Martina Gedeck) has the perfect family: she’s married to successful lawyer Richard (Matthias Brandt), they have a teenage son, Wolfgang (Julius Hagg), a beautiful home and more than enough money. So when their friend asks them to take in the 19-year-old Stella (Mala Emde), a beautiful but unrefined and withdrawn young woman, Anna accepts and gives Stella a bit of a make-over. But Stella’s presence disturbs the carefully cultivated family appearance.
Wir töten Stella is a strong, incredibly sad and very critical film. It’s beautifully made and despite a couple of lengths, I couldn’t take my eyes off the screen.
Plot: Stefan Zweig (Josef Hader) is a successful writer of wide renown. As an Austrian Jew, he decided to leave Europe behind after Hitler’s rise to power and now lives in Brazil with his wife Lotte (Aenne Schwarz). But the political situation in Europe follows him even into his exile, as people all seem to expect something of him, a statement, taking position, outright help – and Zweig really doesn’t know how to handle this pressure as his attempts to distance himself from everything continue to fail.
Vor der Morgenröte captures an awkward, uncomfortable atmosphere perfectly and tells a World War 2 story from a perspective that is unusual, and definitely fascinating.