Re-Watch: Miss Congeniality (2000)

Miss Congeniality
Director: Donald Petrie
Writer: Marc Lawrence, Katie Ford, Caryn Lucas
Cast: Sandra Bullock, Michael Caine, Benjamin Bratt, Candice Bergen, William Shatner, Ernie Hudson, John DiResta, Steve Monroe, Heather Burns, Melissa De Sousa
Seen on: 19.1.2018
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Plot:
Gracie (Sandra Bullock) has always be a tomboy and feels more than comfortable in the guys’ club that is the FBI. But when there’s a threat that somebody wants to bomb the Miss USA pageant, her partner Eric (Benjamin Bratt) finds that Gracie really is the only FBI agent who could pull off going undercover as a contestant. She just needs a bit of refinement which shall be provided by old Miss USA coach Victor (Michael Caine). Gracie is not happy about it at all, but she’ll go through with it, causing a lot of confusion in the pageant with every step she takes.

When I saw the film the last time, probably around 10-15 years ago, I was still able to laugh about Miss Congeniality. But the film, unfortunately, didn’t age well.

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The Best Man (1999)

The Best Man
Director: Malcolm D. Lee
Writer: Malcolm D. Lee
Cast: Taye Diggs, Nia Long, Morris Chestnut, Harold Perrineau, Terrence Howard, Sanaa Lathan, Monica Calhoun, Melissa De Sousa, Regina Hall

Plot:
Harper (Taye Diggs) is about to publish his autobiographical novel dealing with his time in college. But first there’s a different trip to the past he takes: his best friend from that time, Lance (Morris Chestnut) is getting married to his college sweetheart Mia (Monica Calhoun) and Harper’s the best man. So he travels to New York, leaving his girlfriend Robin (Sanaa Lathan) to join him later in the week. Which gives him the opportunity to reconnect with his friend and missed romantic connection from college Jordan (Nia Long).

The Best Man is interesting because it actually isn’t all that interesting at all: despite being a film that has both race and gender turned on the genre conventions’ head (since RomComs of this kind are usually targeted at and played by white women), it plays out pretty much exactly the same as what we’re used to. Which, from a cinematic pov, isn’t very captivating, but from a sociological pov, there’s much to dissect.

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