L’avenir [Things to Come] (2016)

Director: Mia Hansen-Løve
Writer: Mia Hansen-Løve
Cast: Isabelle Huppert, André Marcon, Roman Kolinka, Edith Scob, Sarah Le Picard, Solal Forte, Elise Lhomeau, Lionel Dray
Part of: Viennale
Seen on: 29.10.2016

Nathalie (Isabelle Huppert) is an enthusiastic philosophy teacher, married to Heinz (André Marcon) for 25 years and has two grown children. She pursues her job with passion above and beyond the call of duty, keeping in touch with former students like Fabien (Roman Kolinka) and publishing school books and essays. The rest of her time is pretty much devoted to caring for her mother (Edith Scob). But then the rug gets pulled out from under her feet. In quick succession, Heinz announces he’s leaving her for another woman, her publisher announces that they can’t afford to publish her things anymore, and her mother moves into a home. Nathalie finds herself suddenly confronted with more liberty than she ever had in her life.

While I appreciate the story, L’avenir is telling, unfortunately it left me pretty cold, despite a great performance by Isabelle Huppert.

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Eden (2014)

Director: Mia Hansen-Løve
Writer: Mia Hansen-Løve, Sven Hansen-Løve
Cast: Félix de Givry, Pauline Etienne, Vincent Macaigne, Hugo Conzelmann, Zita Hanrot, Roman Kolinka, Hugo Bienvenu, Vincent Lacoste, Arnaud Azoulay, Greta Gerwig, Brady Corbet
Seen on: 21.5.2015

It’s the 90s in Paris and electronic music, in particular House, is on the rise. Paul (Félix de Givry) loves the music and the scene. He dreams of becoming a DJ himself and is slowly making that dream become a reality. Together with his friend Stan (Hugo Conzelmann) they become the DJ duo Cheers and they enjoy some success, even though they’re far from as successful as their friends Quentin (Hugo Bienvenu) and Thomas (Vincent Lacoste), aka Daft Punk and far from successful enough to really make a living from it. But Paul doggedly stays with his choice of career, despite estrangement from (girl)friends, mounting debts and a drug problem.

Eden dragged quite a bit, unfortunately, and I think that it’s a film I’ll forget quickly. I just never really connected with Paul and since the film focuses exclusively on him, not connecting is as good as a death sentence.

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