The Invisible Man
Director: Leigh Whannell
Writer: Leigh Whannell
Based on: H. G. Wells‘ novel
Cast: Elisabeth Moss, Aldis Hodge, Storm Reid, Oliver Jackson-Cohen, Harriet Dyer, Michael Dorman
Seen on: 5.3.2020
Content Note: domestic violence, psychological abuse, stalking
Cecilia (Elisabeth Moss) finally manages to leave her abusive partner Adrian (Oliver Jackson-Cohen) in the middle of the night with the help of her sister Emily (Harriet Dyer). Now she’s staying with her friend James (Aldis Hodge) and his daughter Sydney (Storm Reid), but she’s still terrified that Adrian will find her. That’s when the news reaches her that Adrian killed himself and left her some money. Relieved at first, Cecilia soon notices strange things going on around her and is certain that Adrian is back in her life even if she can’t see him.
The Invisible Man is a really strong film that effectively uses its central and by now much-explored idea to make something completely new of it. I was very impressed and creeped out.
Daybreakers is the newest movie by Michael and Peter Spierig, starring Ethan Hawke, Willem Dafoe, Sam Neill, Claudia Karvan and Michael Dorman.
10 years into the future and vampires have pretty much taken over the world. Humans are a minority – and hunted, since the vampires are slowly running out of blood. Edward (Ethan Hawke) works at a research company headed by Charles Bromley (Sam Neill) and tries to develop synthetic blood, unsuccessfully so far. Edward is not only motivated by the fear that they’re all going to starve but also by compassion with the humans, wishing he could become one again himself. So when he stumbles upon human Audrey (Claudia Karvan) and a small resistance, he decides to help.
Daybreakers is an inconsistent affair: On the one hand there’s really good world building, on the other the plot is completely predictable and populated by stock characters. On the one hand the special effects are quite good, on the other the constant blue filter was tiring. The premise (despite one serious flaw*) is interesting, but in the end the execution is too conventional.