Kong: Skull Island (2017)

Kong: Skull Island
Director: Jordan Vogt-Roberts
Writer: Dan Gilroy, Max Borenstein, Derek Connolly
Remake of: King Kong
Cast: Tom Hiddleston, Samuel L. Jackson, Brie Larson, John C. Reilly, John Goodman, Corey Hawkins, John Ortiz, Tian Jing, Toby Kebbell, Jason Mitchell, Shea Whigham, Miyavi, Richard Jenkins
Seen on: 13.3.2017

Plot:
Bill Randa (John Goodman) and Houston Brooks (Corey Hawkins) are convinced that monsters exist – and they may be hiding on a recently discovered island. When they can finally secure funding for an expedition there, they hire ex-military tracker James Conrad (Tom Hiddleston), a group of soldiers under command of Preston Packard (Samuel L. Jackson) and photographer Mason Weaver (Brie Larson) to make sure they succeed in finding and documenting whatever lives on that island. But once they get to the island, things don’t go according to plan.

Over and over again I try to like kaiju movies and over and over again, I fail. In this case, though, it’s mostly because Kong: Skull Island really sucks.

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Unbroken (2014)

Unbroken
Director: Angelina Jolie
Writer: Joel Coen, Ethan Coen, Richard LaGravenese, William Nicholson
Based on: Laura Hillenbrand‘s book
Cast: Jack O’Connell, Domhnall Gleeson, Garrett Hedlund, Miyavi, Finn Wittrock, Jai Courtney, Luke Treadaway, Ross Anderson, Alex Russell
Seen on: 19.01.2015

Plot:
Louis Zamperini (Jack O’Connell) was a troublemaker as a kid until his brother Pete (Alex Russell) had the idea to channel his energy into running. And it pays of – Louie is sent to the 1936 Olympics in Berlin. A few years later, thought, he finds himself fighting against Germany and Japan in World War II. When his plane is shot down over the sea, somewhere close to Japan, and only Louie, Phil (Domhnall Gleeson) and Mac (Finn Wittrock) survive the crash, things don’t look too well. And it only becomes worse, when they are captured by Japanese soldiers and end up prisoners of war. But Louie doesn’t give up easily.

Unbroken is okay as a film. It’s a little formulaic and a little too on the nose, but it’s solid filmmaking that just doesn’t quite reach the emotional heights it’s aiming for.

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