Plot: Lionel (Edward Norton) is a private investigator, even though his Tourette’s can make covert observation a little difficult sometimes. He works for Frank (Bruce Willis) until Frank is killed. Lionel really needs to figure out what case he worked on that turned out to be deadly. Retracing Frank’s steps, picking up where he left off, Lionel finds himself investigating some very powerful people and making a connection with Laura (Gugu Mbatha-Raw) who is somehow involved.
Motherless Brooklyn has been a long time coming, but sometimes things are not worth the wait. It’s not an outright bad film, but it’s not very good, either.
It was a fascinating read – when I was younger I always dreamt of becoming a neurologist and curing Tourette’s. Those dreams abruptly ended when I discovered that I had to know chemistry for it to come true. Nevertheless, I still retained a fascination with it (and other neurological disorders). My curiousity was pretty satisfied by the read.
Lionel’s case of Tourette’s rather severe, his tics range from shoulder-tapping over counting to echolalia. You get used quickly to his tics and it gets weird when he doesn’t have to do them. You keep thinking that something’s missing.
The echolalia was the perfect “excuse” for Lethem to make some experiments with language which were amazing, opening up new layers of meaning just beyond what would have been written without it. [And I love the phrase dickweed. Just waiting for a chance to use it.]
The story itself is thoroughly thought through [(c) Stephen Fry] but not really surprising.
There’s a new, German version of The Wave by Morton Rhue/Todd Strasser (Die Welle) coming to the movies. A book probably every child in school in Europe and the US had to read. Let’s see if that improves the popularity.