Yella (Nina Hoss) lives with her father (Christian Redl) after a messy divorce from Ben (Hinnerk Schönemann) who is not quite done with her and keeps on following her, trying to talk about the company they built together and that has been falling apart for a while. But now Yella has found a way out: she has a job offer in another city. But when she arrives there, the job is gone and instead she meets Philipp (Devid Striesow), a business man/con artist and gets drawn into his affairs.
Yella is a weird film and I didn’t really get into it. While it has an interesting atmosphere and good performances, the story itself left me mostly bewildered and not in a good way.
Günther Bachmann (Philip Seymour Hoffman) works for German intelligence. His current obsession is proving that charitable muslim Abdullah (Homayoun Ershadi) is not quite as good as people think he is. He sees his chance when a young Russian/Chechnyan fugitive arrives in Hamburg. Issa (Grigoriy Dobrygin) has experienced awful things but he also brings with him a huge inheritance from his politically less than sound father. But first Bachmann has to gain access to the money and connect it to Abdullah, all while the American intelligence and most of the German intelligence has different plans than him.
I knew that I couldn’t resist watching something with that cast, but honestly Corbijn and me, we’ll probably never hit it off. That is also the case in this film which was boring, confusing and generally frustrating.