Plot: Kate (Emilia Clarke) works as an elf in an all-year Christmas story run by Santa (Michelle Yeoh). She dreams of being a singer, but spends most of her time drinking, having random hook-ups and generally being a little flaky. She’s also technically homeless and distances herself from her family. That’s when she meets Tom (Henry Golding). She feels drawn to him, even though she also thinks he’s weird and she’s a little put off by his goody two shoes nature. But their connection is nevertheless undeniable.
Last Christmas is rather cute until it jumps the shark. I mean, it’s still enjoyable thanks to Clarke and Golding, but the big reveal did have me facepalming. A lot.
Plot: Stephanie (Anna Kendrick) divides her time between her son Miles (Joshua Satine) and running her own parenting blog. When Miles befriends Nicky (Ian Ho), Stephanie approaches Nicky’s beautiful and rather intimidating mother Emily (Blake Lively). Much to her own surprise, Emily takes to Stephanie and the two become friends. But then Emily just disappears one day and Stephanie decides that she has to investigate.
A Simple Favor is obviously a film that tries to coast on Gone Girl‘s success, but is neither as insightful nor as well-constructed as that film. It is queerer, though, which I liked, and it looks really good. But it never gets to a level that is more than okay.
Erin Gilbert (Kristen Wiig) is trying to establish herself as a physicist when an old book of hers resurfaces. She wrote it many years ago together with Abby Yates (Melissa McCarthy) on the subject of the existence of ghosts and other paranormal phenomena. Erin is afraid that the book will threaten her career despite the fact that she left those ideas behind. When she goes to speak with Abby to ask her to keep the book under wraps, she finds her working with Jillian Holtzmann (Kate McKinnon) to prove the existence of ghosts. When they are actually called in to examine a haunting, everything changes: Erin tags along and can see the ghost with her own eyes. So the three of them team up with Patty Tolan (Leslie Jones) and found the Ghostbusters.
Ghostbusters was a hugely enjoyable film that had me laughing pretty much all the way through – despite the fact that Feig’s humor is usually very much hit and miss for me. But with a cast that great, not much can go wrong.
Bradley Fine (Jude Law) is a superspy as you imagine him: good-looking, suave and mostly investigating within the upper class. But he wouldn’t be half the spy he was without Susan Cooper (Melissa McCarthy), his handler: Susan might not be in the field herself, but with the help of visual and audio equipment, she sees the world through Bradley’s eyes – with multiple enhancements. And she is the best at what she does. But when Bradley ignores her advice, is killed by Rayna Boyanov (Rose Byrne). And Rayna goes on to blow the cover of every active field agent. While uncovered spy Rick Ford (Jason Statham) goes rogue, Susan herself steps up – and out into the field.
Spy does many things right, but it does enough that didn’t work for me to keep me only very mildly enthusiastic about it – despite the good stuff.
When Annie’s (Kristen Wiig) best friend Lillian (Maya Rudolph) gets married, Annie is happy for her. But then Annie meets Lillian’s boss’s wife Helen (Rose Byrne) who has taken on a more and more important role in Lillian’s life. What starts off as a slightly ridiculous rivalry between Annie and Helen, soon ends in Annie having a full-fledged crisis and her starting to ruin Lillian’s wedding preparations.
I was hesitant to see Bridesmaids since it’s basically touted als The Hangover in pink (hence for women) and I hated The Hangover with an inordinate passion. Surprisingly, I didn’t hate it. Bridesmaids does have some good parts to it, though it also has its fair share of fecal humor which I’ll never get. Will it become my new go-to comedy? No. But I also didn’t regret seeing it.