Plot: Sibyl (Virginie Efira) is a therapist who feels inspired to return to her first passion of writing novels. So she lets go most of her clients and prepares to write a novel. When she gets a call from the young actress Margot (Adèle Exarchopoulos) who is in obvious distress, she makes an exception and takes her own as a client as well. In Margot’s story, she finds the inspiration she needed for her novel, but the more time they spend together, the deeper Sibyl gets sucked into the story herself.
Sibyl gives us an antiheroine in quite a few very complicated relationships (and if they aren’t complicated on their own, she knows how to complicate them). This is engaging material, especially with that cast, but it does spiral a little too much at times.
Plot: The Diallos – father Paul (Adama Niane), mother Chloé (Stéphane Caillard) and their son Louis (Matthieu Kacou) – return from their vacation to find that their nanny Sabrina Bolso (Marie Bourin) and her husband Eric (Hubert Delattre) went from house-sitters to being full-on squatters. They call the police, but thanks to a legal loophole the police can’t actually do anything. Their only legal option is a drawn-out legal battle that isn’t really an option at all. So they turn to Mickey (Paul Hamy) and his group of thugs, hoping to scare the Bolsos away. But that’s really only just the beginning of their troubles.
Get In is a catastrophe in toxic masculinity with a dose of racism. I hated it.
Plot: In a dystopian world constantly patrolled by drones, Jessica (Aomi Muyock) is the leader / mother figure for a group of young men. They are the drone’s prime targets and Jessica does her best to keep them all alive, but at the same time tries to retain some sense of normality and civility for them. The newest boy to join them is Michael (Sebastian Urzendowsky) who still has much to learn until he can fit in with them.
Jessica Forever was a film that alternately bored me and made me angry. It makes little to nothing of its setting and it confuses a female character wearing a uniform with an actually strong female character. It’s pretty frustrating.
Fernando (Paul Hamy) is an ornithologist, set to spend a few solitary days in the wilderness to document a certain bird. When he has a kayaking accident, he drifts along the water and gets saved by two Chinese pilgrims Fei (Han Wen) and Ling (Chan Suan), who pull him out of the water. Since Fei and Ling lost their way and are afraid of the spirits they are sure haunt the woods, they demand that Fernando protects them. When he would rather just go home, things take a turn for the worse.
The Ornithologist managed to grab me twice but never for very long. For the most part, I found it boring, exhausting and uncomfortably religious.
Vincent (Matthias Schoenaerts) is a soldier who struggles with PTSD after a tour in Afghanistan. While he’s home, waiting to be cleared for service again, he makes his money working as private security together with his friend Denis (Paul Hamy). They get a job at a party for a Lebanese businessman and Vincent is immediately suspicious of everything. Things get worse when he is asked to look after the businessman’s wife Jessie (Diane Kruger) and their son for a few days. Vincent feels drawn to Jessie but he can’t really trust his own perceptions: is he hallucinating or is there a real threat?
Maryland deeply impressed me. Not only does Winoncour manage to create an unbelievable amount of tension, Schoenaerts is absolutely hypnotic in his role. I was glued to the screen through the entirety of the film.
Lina (Manal Issa) comes to Paris from Lebanon to study. She is supposed to stay with her aunt and her husband but just before the semester actually starts, her uncle comes on to her. Lina runs away in shock. Without money, a place to stay or much idea about life in Paris, she sets out to build herself a life, with any means necessary.
Peur de Rien tells an interesting story and it tells it well, with one of the most fascinating and intriguing protagonists I’ve seen in a while. Every once in a while it strays a little too much and could have been more concise, but altogether, I really enjoyed it.