Der Besuch der alten Dame [The Visit]

Der Besuch der alten Dame
Director: Frank Hoffmann
Writer: Friedrich Dürrenmatt
Cast: Maria Happel, Rolf Mautz, Hans Dieter Knebel, Burghart Klaußner, Petra Morzé, Roland Koch, Dietmar König, Daniel Jesch, Marcus Kiepe, Michael Abendroth, Harald Retschitzegger, Franz Schöffthaler, Peter Nitsche
Seen on: 1.10.2018

Plot:
Claire Zachanassian (Maria Happel) returns to her hometown of Güllen for the first time in decades. She had to leave the town in shame, betrayed by her lover. But she rose from the ashes, married rich and now she has a plan to get revenge on everybody who ever wronged her – especially her ex.

Der Besuch der alten Dame seems to be a good play, but this production of it really didn’t work. They managed to have a comedy where I could see the funny bits and yet I never laughed. That’s really a problem.

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Life Guidance (2017)

Life Guidance
Writer: Ruth Mader
Director: Martin Leidenfrost, Ruth Mader
Cast: Fritz Karl, Katharina Lorenz, Florian Teichtmeister, Nicolas Jarosch, Petra Morzé, Udo Samel, Alfons Mensdorff-Pouilly, Johann Adam Oest
Seen on: 22.1.2018
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Plot:
Alexander (Fritz Karl) is married to Anna (Katharina Lorenz). They have a son (Nicolas Jarosch) and by the looks of it, their life is pretty much perfect. But then Alexander says something that worries Life Guidance, the organisation in charge of helping people living the best life they can possibly live. They send in their agent, Gregor (Florian Teichtmeister), to make sure that Alexander stays on track.

I wanted to like Life Guidance – being an Austrian Science Fiction film made by a woman – much more than I actually did. While it has strong parts, it just doesn’t come together as it should.

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Die Komödie der Irrungen [The Comedy of Errors]

Die Komödie der Irrungen
Director: Herbert Fritsch
Writer: William Shakespeare, translated by Sabrina Zwach
Cast: Sebastian Blomberg, Simon Jensen, Dorothee Hartinger, Stefanie Dvorak, Mavie Hörbiger, Petra Morzé, Klaus Pohl, Falk Rockstroh, Michael Masula, Marta Kizyma, Merlin Sandmeyer, Dirk Nocker, Hermann Scheidleder
Seen on: 26.2.2017

Plot:
Merchants from Syracuse are currently forbidden from entering Ephesus. To Egeon’s (Klaus Pohl) he is discovered in the city. Moved by the sad story of how many years ago, Egeon’s twin sons were separated, together with the twin servant boys and how Egeon search for his lost son has brought him to Syracuse, Solinus (Michael Masula) grants him a day to find the money needed to buy himself free. Meanwhile Egeon’s son Antipholus (Sebastian Blomberg) and his servant Dromio (Simon Jensen) also arrive in Ephesus. Once there, their paths cross the Ephesus versions of Antipholus (Sebastian Blomberg) and Dromio (Simon Jensen) – only they don’t know it. Confusions ensues.

The Comedy of Errors is an absolutely nonsensical play – and Fritsch’s hyped-up brightly colored production of it sets the perfect tone to make it fly.

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Lou Andreas-Salomé (2016)

Lou Andreas-Salomé aka In Love with Lou – A Philosopher’s Life
Director: Cordula Kablitz-Post
Writer: Cordula Kablitz-Post, Susanne Hertel
Cast: Katharina Lorenz, Liv Lisa Fries, Nicole Heesters, Helena Pieske, Matthias Lier, Katharina Schüttler, Philipp Hauß, Alexander Scheer, Julius Feldmeier, Merab Ninidze, Peter Simonischek, Petra Morzé, Harald Schrott
Seen on: 21.9.2016

Plot:
Psychoanalyst and philosopher Lou Andreas-Salomé (Nicole Heesters) has lived an interesting life and now that she is getting older, she is ready to tell her life story. Watched by her maid Mariechen (Katharina Schüttler), young writer Ernst Pfeiffer (Matthias Lier) comes to her house to write her biography: when Lou was younger (Katharina Lorenz), she fell in love with philosophy and psychoanalysis, while men around her kept falling in love with her – men like Friedrich Nietzsche (Alexander Scheer), Paul Rée (Philipp Hauß) or Rainer Maria Rilke (Julius Feldmeier). But all Lou wanted was to live life on her own terms.

Lou Andreas-Salomé is an excellently acted and beautifully filmed biopic with an interesting structure about a fascinating woman. But unfortunately it attempts too much and too little at the same time to make it well-rounded.

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