Plot: Mary (Taraji P. Henson) is a contract killer and a damn good one. She never had any problems with doing her job but after she shoots Marcus Miller, she discovers that he has a son, Danny (Jahi Di’Allo Winston) – and she finds that she can’t let him go, watching him from afar. Danny’s circumstances haven’t become better since his father’s death. He lives on his own and became involved in drug dealing, working for Uncle (Xander Berkeley). But when things go south on one of his deals, Mary steps in and takes Danny under her wing. The thing is that she does so by upending the entire balance of Boston’s underworld.
I was really looking forward to Proud Mary – and disappointed that it never made it to cinemas in Austria. Now that I’ve seen it, I understand why it was buried, though. It really doesn’t work.
Ethan Hunt (Tom Cruise) is tasked with retrieving the stolen Chimera virus: a supervirus that kills within a short amount of time. To get it, he is supposed to recruit thief Nyah (Thandie Newton), but as it turns out not for her skill set but rather for the fact that she used to date Ethan’s former co-agent who is responsible for the theft of the virus, Sean Ambrose (Dougray Scott). Ethan is uncomfortable involving Nyah in all of this, especially since he finds himself falling for her.
Holy fuck, I had forgotten how absolutely atrociously bad Mission: Impossible II is. It’s abysmal. It’s frankly astounding that they ever got to make another film in the franchise because this film was certainly bad enough to irrevocably kill it.
Bosnia, 1992: right before the war starts, Ajla (Zana Marjanovic) and Danijel (Goran Kostic) are on a date and they get along just fine. But then they suddenly find themselves on opposite sides of the war: as a Muslim, Ajla is abducted and interred, while Danijel becomes a rather high ranking Serb soldier who happens to oversee the camp where Ajla is imprisoned. He tries to protect her but in such a situation, the motives of everyone become a bit shady.
In the Land of Blood and Honey is obviously a movie with a message and a mission but it manages to not let that take over. There are moments where you get to feel Jolie’s inexperience when it comes to directing, but altogether it’s a decent debut film.