Plot: One night in a small town hospital in Jupiter Hollow, two very different pairs of parents each have a set of twin girls. In the confusion, two babies get switched. 40 years later, Rose (Lily Tomlin) and Sadie Shelton (Bette Midler) have taken over the family company in New York that still owns a company in Jupiter Hollow. But they want to sell it. Rose (Lily Tomlin) and Sadie Ratcliff (Bette Midler) who grew up in a poor family in Jupiter Hollow and know that the entire town depends on the local company not being sold, decide to go to New York to confront the Sheltons and stop the sale. But given the circumstances around their birth, things are bound to get very confusing.
Big Business is one of my total-flashback-to-my-childhood movies. I think we had a VHS tape with Big Business and Ruthless People (for the Bette Midler double whammy) and it feels like we watched it once a week. We probably didn’t because TV time was very limited, but I’m sure I’ve seen the film a lot, although I haven’t seen it in 20 years, if not more. I definitely never saw it as an adult or in English. So, even though everything was very familiar about the film, it was also a very different experience. I might not love it as much anymore as I did as a child, but it is still very entertaining.
Plot: Rachel (Ginnifer Goodwin) and Darcy (Kate Hudson) have been best friends since about forever. Darcy is an extroverted party girl, while Rachel is pretty comfortable in Darcy’s shadow. But after a drunken night Rachel sleeps with Darcy’s fiancé Dex (Colin Egglesfield) who she’s been in love with since about forever. What starts as a single mistake soon ends up an affair that puts most of Rachel’s values in question.
It’s been almost ten years that I saw the film for the first time, and to be fair, when I decided to watch it again, I wasn’t even sure anymore if I had seen it. But I liked the film back then, and I liked it a lot again now.
Plot: Young, promising artist Christian (Ewan McGregor) finds his way to Paris where he hopes to be part of the bohemian revolution. He is quickly adopted by a theater group who hope he can help persuade the Moulin Rouge to put on their play by convincing its most important star Satine (Nicole Kidman) of his talents. Satine is quickly convinced, but the Moulin needs the help of the Duke (Richard Roxburgh) to finance the play – and the Duke wants Satine. That Christian and Satine fall in love, then, is the most inconvenient thing.
Moulin Rouge! came out when I was a teenager and it hit me in just the right way in pretty much everything. I still listen to the soundtrack regularly, but it had been years that I have actually seen the film. Now that I have, what can I say but that it’s still one of my faves despite the many (many) problems I can see.
Plot: Meg (Trini Alvarado), Jo (Winona Ryder), Beth (Claire Danes) and Amy (Kirsten Dunst) are sisters, living with their mother Marmee (Susan Sarandon) as their father is off fighting in the war. Their lives are spent working or studying and trying to help the even poorer people in the neighborhood. In their sparetime, they like to play creatively. When their neighbor Mr. Lawrence’s (John Neville) grandson Laurie (Christian Bale) moves in with his grandfather, he quickly finds himself included with the girls. Together, they navigate life’s ups and downs.
There was a time when I was a teenager that I was very much obsessed with this film and I watched it quite a few times. But it took me until now to finally read the novel and it’s been many years that I saw the film, so I looked at it now with fresh eyes. I still love it, but I do see a couple of things more critically now.
Plot: Mike (River Phoenix) and Scottie (Keanu Reeves) are hustlers, living in the streets of Portland. Scottie has been living this way for longer than Mike and shows Mike the ropes a little, introducing him to Bob Pigeon (William Richert) who is something between a pimp and a father figure for a lot of more or less homeless hustlers in the city. Scottie also takes care of Mike when he has one of his narcoleptic spells. Despite their closeness, there’s a chasm between Mike and Scottie as Mike doesn’t have many choices to live the way he does, while Scottie comes from a rich family and chose to hustle to embarrass them.
I saw My Own Private Idaho around 20 years ago and I understood very little of it back then. Seeing it now, opened up the film to me much more. That in itself is already a beautiful experience, but even without that part of the experience, the film is wonderful.
Plot: When millionaire Andrew Marsh (Joe Mantegna) is found dead from a heart attack, handcuffed to his bed with a sex tape of him and his lover Rebecca (Madonna), suspicions immediately fall on her to have purposefully fucked him to death. When it’s discovered that she stands to inherit a lot of money from him, suspicions turn into criminal charges and Rebecca is arrested despite her protestations of innocence. Her lawyer Frank (Willem Dafoe) is very much drawn to her and even while he starts to investigate the case, the two start an affair.
Body of Evidence is sensationalist crap. With a bit of a more feminist and less voyeuristic/fetishistic tendency, it could have gone in the direction of Gone Girl, but instead we got objectification and misogyny. It’s literally hateful.
Plot: Momo (Radost Bokel) lives on her own in a ruin in the center of the village. She knows everybody in town. In fact, everbody knows each other and takes care of each other, not minding that all the social niceties do take time. But the town’s slow pace is disrupted when mysterious gray men show up and make it clear to everybody how much time they are wasting. There’s only Momo who can try and get rid of them.
Momo is one of my childhood favorites, so when they announced a special screening at the cinema, I knew I wanted to catch it on the big screen. And it was a great opportunity to see a film that still holds up wonderfully.
Plot: Gracie (Sandra Bullock) has always be a tomboy and feels more than comfortable in the guys’ club that is the FBI. But when there’s a threat that somebody wants to bomb the Miss USA pageant, her partner Eric (Benjamin Bratt) finds that Gracie really is the only FBI agent who could pull off going undercover as a contestant. She just needs a bit of refinement which shall be provided by old Miss USA coach Victor (Michael Caine). Gracie is not happy about it at all, but she’ll go through with it, causing a lot of confusion in the pageant with every step she takes.
When I saw the film the last time, probably around 10-15 years ago, I was still able to laugh about Miss Congeniality. But the film, unfortunately, didn’t age well.
Plot: Baby (Jennifer Grey) is going to a holiday resort with her family for the summer. Big things are expected of her: her adoring father Jake (Jerry Orbach) sees her rescuing the world pretty soon, a fact that her sister Lisa (Jane Brucker) who is more interested in boys than politics, sees with jealousy. Baby stumbles into the lives of the resort’s dance instructors during her stay. Trying to help with their problems, it puts her in the path of Johnny (Patrick Swayze). They fall in love, but things are not easy.
I have watched Dirty Dancing approximately a million times, but I think when I saw it this time, it was the first time that I didn’t see it in the German dub, but in the English original. That, combined with the fact that I’m a little older now, gave me an entirely new appreciation for the film: it’s not only a perfectly wonderful romance, it’s a huge political and feminist statement as well.
Lucy (Sandra Bullock) is a lawyer – a good one – with a passion for social activism. That activism has put her at odds with the Wade Corporation on several occasions. When she meets George Wade (Hugh Grant) of said corporation, she is not taken with his charm as the women he ususally surrounds himself with are. Nevertheless when he offers her a job as his lawyer, she accepts, hoping that she can affect change from the inside. But soon Lucy is pretty much responsible for everything in George’s life – and that is more than she signed on for.
Two Weeks Notice is an absolutely pleasant film. It’s light and fluffy and cuddly and utterly inconsequential. There are many worse things a RomCom can be.