Feedback (2019)

Feedback
Director: Pedro C. Alonso
Writer: Pedro C. Alonso, Alberto Marini
Cast: Eddie Marsan, Paul Anderson, Ivana Baquero, Richard Brake, Oliver Coopersmith, Alexis Rodney, Anthony Head, Alana Boden, Nacho Aldeguer
Part of: Secret Society screening at the /slash Filmfestival
Seen on: 29.9.2019
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Content Note: rape, rape culture

Plot:
Jarvis (Eddie Marsan) and Andrew (Paul Anderson) used to have a radio show together when they were younger, but they went different ways a while ago. Now Jarvis has his own show where he tackles social problems and generally politicizes in a very straight-forward, brash way. But the show hasn’t been going so well, so the radio station has asked him to team up with Andrew again to increase ratings. Jarvis is not enthusiastic, but doesn’t have much of a choice in the matter. On their first night back in front of the mic together, masked men storm the radio station and force Jarvis and Andrew to reveal their secrets live on air.

Feedback is a film that takes the implications of the entire #metoo movement seriously and makes a bold statement about what white cis men can get away with. It’s a bit of a downer, but given its subject matter, that’s entirely appropriate.

The film poster showing Jarvis (Eddie Marsan) from behind. He is wearing headphones and watching four screens with masked men, a woman and himself screaming.

[SPOILERS]

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Mandy (2018)

Mandy
Director: Panos Cosmatos
Writer: Panos Cosmatos, Aaron Stewart-Ahn
Cast: Nicolas Cage, Andrea Riseborough, Linus Roache, Ned Dennehy, Olwen Fouéré, Richard Brake, Bill Duke
Part of: /slash Filmfestival
Seen on: 20.9.2018
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Plot:
Red (Nicolas Cage) and Mandy (Andrea Riseborough) couldn’t be happier with each other. They live remotely and they live mostly for each other. But their intense togetherness is not only disrupted, it is destroyed when Mandy catches the eye of Jeremiah Sand (Linus Roache), the leader of a local cult. Jeremiah shows up at Red and Mandy’s home ready to do everything to get Mandy to himself.

Mandy starts off well enough, but after the first hour or so, I lost interest in it. It’s intriguing, and as an opening to this year’s /slash Filmfestival it was well-chosen, but it just didn’t work all the way through.

The film poster all in red hues, showing various of the film's characters.
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