Plot: Hemel (Hannha Hoekstra) is young and beautiful and drifts from man to man, hook-up to hook-up. Never anything serious. The only man she has emotional space for in her life is her father Gijs (Hans Dagelet) who has never settled down himself – until now. Gijs seems to have finally found a partner in Sophie (Rifka Lodeizen) with whom he is willing to get serious – and that completely throws Hemel.
Hemel is yet another film about a beautiful, young and fucked up woman who struggles with relationships with men in her life. I have to admit that I expected a little more from it – a little more insight, a little more feminism – but it couldn’t deliver.
Plot: Maud (Rifka Lodeizen) and Frank (Guido Pollemans) are traveling in Chile. It is supposed to be a bit of a reset for the two of them, as their relationship has been strained: they have been trying to have a child together, but they have to face the fact that they may not be able to at all. But when Frank confronts Maud head-on with that, they have a fight and Maud just leaves. Going on a road trip, she meets Messi (Cristóbal Farias), a young boy who has nobody to take care of him. Messi starts to accompany Maud on her trip.
I have very mixed feelings about La Holandesa. It’s well made, if a little long, but it’s also very white for a film set in Chile and that left me with a weird taste in my mouth.