Hemel (2012)

Director: Sacha Polak
Writer: Helena van der Meulen
Cast: Hannah Hoekstra, Hans Dagelet, Rifka Lodeizen, Mark Rietman, Eva Duijvestein, Barbara Sarafian
Seen on: 29.8.2021

Content Note: rape

Hemel (Hannha Hoekstra) is young and beautiful and drifts from man to man, hook-up to hook-up. Never anything serious. The only man she has emotional space for in her life is her father Gijs (Hans Dagelet) who has never settled down himself – until now. Gijs seems to have finally found a partner in Sophie (Rifka Lodeizen) with whom he is willing to get serious – and that completely throws Hemel.

Hemel is yet another film about a beautiful, young and fucked up woman who struggles with relationships with men in her life. I have to admit that I expected a little more from it – a little more insight, a little more feminism – but it couldn’t deliver.

The film poster showing Hemel (Hannah Hoekstra) making out with a guy while wrapped in a string of lights.
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La Holandesa [Messi and Maud] (2017)

La Holandesa
Director: Marleen Jonkman
Writer: Daan Gielis
Cast: Rifka Lodeizen, Guido Pollemans, Cristóbal Farias, Daniel Candia, Yasna Vasquez
Part of: FrauenFilmTage
Seen on: 6.3.2018

Maud (Rifka Lodeizen) and Frank (Guido Pollemans) are traveling in Chile. It is supposed to be a bit of a reset for the two of them, as their relationship has been strained: they have been trying to have a child together, but they have to face the fact that they may not be able to at all. But when Frank confronts Maud head-on with that, they have a fight and Maud just leaves. Going on a road trip, she meets Messi (Cristóbal Farias), a young boy who has nobody to take care of him. Messi starts to accompany Maud on her trip.

I have very mixed feelings about La Holandesa. It’s well made, if a little long, but it’s also very white for a film set in Chile and that left me with a weird taste in my mouth.

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