Plot: Michael (LaKeith Stanfield) is a journalist who has been working on a story for a while. When he interviews Isaac (Rob Morgan), a photograph catches his eye in Isaac’s home. Taken by a young photographer, Christine Eames (Chanté Adams) who was obviously very important to Isaac in the past (Y’lan Noel), Michael becomes interested in Christine’s life. But Christine passed away, so instead, Michael finds her daughter Mae (Issa Rae) who works as a curator in a museum. As they both rediscover her mother’s work and her past, the two are drawn to each other more and more.
I expected The Photograph to be a sappy love story and it is certainly that but it didn’t touch me quite as much as it should have.
Plot: Henry McAllan (Jason Mitchell) buys a farm in the last corner of Mississippi without discussing it with his wife Laura (Carey Mulligan) who is not thrilled. Nevertheless, they, their children and Henry’s cranky, racist father (Jonathan Banks) make their way there. The farm is being worked on by Hap Jackson (Rob Morgan) and his family who have been tending the land without much hope of ownership for generations. The McAllans and the Jacksons not only have the land in common, though under completely different conditions, but als World War II. Henry’s brother Jamie (Garrett Hedlund) is a soldier as is Hap’s son Roncel (Jason Mitchell). But the racial divide looms large in more than one way.
Mudbound is an excellent film that carries quite a punch and managed to not only not make me hate voice-over, but actually appreciate it. It’s definitely not easy to watch, but it is even more definitely really good.
Plot: In 1987, Walter McMillian, called Johnny D. (Jamie Foxx), is arrested for the murder of a young, white woman. Despite his protestations of innocence, he is sentenced to death. In 1989, young Harvard graduate Bryan Stevenson (Michael B. Jordan) opens the Equal Justice Initiative in Alabama, determined to help prisoners on death row who are often black and have often had only insufficient legal representation. He meets Johnny D. and, convinced of his innocence, takes up the fight to prove it.
Just Mercy is definitely an emotional film and one with an important political point to make, but it does feel a little like it’s trying too hard to stay too clean.