Plot: A long time after a terrible infection wiped out humanity, a robot takes on its role as Mother (voiced by Rose Byrne) to one child. Daughter (Clara Rugaard) grows up under Mother’s watchful eye, learning about the world in theory, getting tested to see whether Mother’s upbringing is actually fine before bringing more children into the world and repopulating Earth once more. But before the final exam, there is a banging on the door and a Woman (Hilary Swank) finds her way into the facility where Daughter and Mother have lived an unbothered existence so far. And with her arrival, Daughter’s life gets turned completely upside down.
I Am Mother works in a minimalist setting and it works pretty well, although I am uncertain about the image of motherhood that it conveys. I’m also not sure whether it’s a film with a lot of staying power, at least for me. But it was fine while it lasted.
Plot: Elise (Lin Shaye) is a successful parapsychologist with a lot of experience under her belt. But when she is called to a case in her own childhood home, she declines to help. She can’t stomach the idea to go back to where she first encountered the supernatural. But her conscience doesn’t let her leave the cry for help unanswered. Her assistants Specs (Leigh Whannell) and Tucker (Angus Sampson) accompany her on her way to New Mexico.
Insidious: The Last Key is, unfortunately, a disappointment after the strong films in the series before it (especially the first two). The character work is still solid, but it just isn’t scary.
2057. The sun is dying and the only solution humanity has found is to send a team of astronauts there to reignite it with a fission bomb or else find all of life on earth doomed. The first mission, Icarus-I, to do just that has already failed, now a new team, Icarus-II, is on its way. When they pick up the distress signal of the Icarus-I, they decide to pick up the bomb that the ship has aboard, as a failsafe for their own mission. But that bomb may come at a higher price than they expected.
When I watched Sunshine for the first time, I remember not being particularly taken with it. But it was one of those films where I started getting doubts about my own judgement and that made me curious to check it out again almost 10 years later. And in this case, it definitely paid off, although I still didn’t fall head over heels for it, I did appreciate it much more than the last time.
Charles Xavier (James McAvoy) is busy with running his school for mutants and finding misunderstood and mistreated mutants around the world with the help of Raven (Jennifer Lawrence). In the meantime, Erik Lensherr (Michael Fassbender) has decided to disappear into a quiet and very normal life. But when an immortal, very dangerous and most powerful mutant, En Sabah Nur (Oscar Isaac), finds himself returned to consciousness after millennia of sleep, it becomes clear that they can only oppose him together.
So far, I really enjoyed this generation of X-Men movies and X-Men Apocalypse was a another thoroughly satisfying entry into the series. Especially after my rather lukewarm reaction to Captain America: Civil War, it was nice to get a superhero movie that manages to keep the quality of its predecessors, even if it doesn’t really add anything new to the story.
After what happened in their home, the Lambert family decide to stay a while with Josh’s (Patrick Wilson) mother Lorraine (Barbara Hershey). But that home brings up memories from the first time Josh was confronted with the Black Bride and Lorraine had to ask Elise (Lin Shaye) and Carl (Stve Coulter) for help. Maybe that’s the reason why Josh is behaving so weirdly. Or maybe there is more to it.
Insidious: Chapter 2 might not be quite as good as the first film, but the difference between the two is so small, it almost disappears entirely.
Josh (Patrick Wilson) and Renai (Rose Byrne) just moved into a new house with their three kids. Their lives are quite normal, their marriage not perfect but mostly well. But then Renai starts to hear and see weird things in the house. After that their son Dalton (Ty Simpkins) falls into a coma – one day he just doesn’t wake up anymore, for no apparent reason. And that’s when the bad things really start to happen.
Way back when I saw the film for the fist time, I was surprised by how much it scared me. Watching it a second time, I didn’t think that it would manage the feat again, but I was wrong. Oh boy, was I ever. Still getting goosebumps about it.
Bradley Fine (Jude Law) is a superspy as you imagine him: good-looking, suave and mostly investigating within the upper class. But he wouldn’t be half the spy he was without Susan Cooper (Melissa McCarthy), his handler: Susan might not be in the field herself, but with the help of visual and audio equipment, she sees the world through Bradley’s eyes – with multiple enhancements. And she is the best at what she does. But when Bradley ignores her advice, is killed by Rayna Boyanov (Rose Byrne). And Rayna goes on to blow the cover of every active field agent. While uncovered spy Rick Ford (Jason Statham) goes rogue, Susan herself steps up – and out into the field.
Spy does many things right, but it does enough that didn’t work for me to keep me only very mildly enthusiastic about it – despite the good stuff.
After the virus outbreak that decimated the population of the UK, it is time to rebuild and repopulate the island. Don (Robert Carlyle) survived on the island and is waiting for his children Tammy (Imogen Poots) and Andy (Mackintosh Muggleton) to join him – the first children back on UK soil. Medical officer Scarlet (Rose Byrne) is a little miffed that she wasn’t informed about it – and she really doesn’t approve. Another outbreak could still happen. When the children find their obviously infected and supposedly dead mother (Catherine McCormack), everything starts to go wrong.
28 Weeks Later was a more than decent zombie movie. Even if I didn’t totally love it, I very much enjoyed it and I thought it was a really good sequel.
Annie (Quvenzhané Wallis) is an orphan and lives with the difficult Ms Hannigan (Cameron Diaz) and several other foster children. She dreams of finding her parents and whenever possible she passes her time coming up with ways she could find out more about them. But her life takes an abrupt turn when she is saved from getting hit by a car by the self-involved businessman Will Stacks (Jamie Foxx) who is running for mayor. Stacks’ PR person Guy (Bobby Cannavale) sees the perfect opportunity to make Stacks more likeable and convinces him to take in Annie, despite the misgivings of Stack’s assistant Grace (Rose Byrne). But Annie is not just a passive thing to be used – she makes her own life.
I don’t know whether I have actually ever seen the film from the 80s and I know for a fact that I didn’t see any of the other adaptations of this. And as practically an Annie virgin, I really enjoyed the film, even if it had its weak spots.
Judd (Jason Bateman) is not in a good place in a moment. He just found out that his wife Quinn (Abigail Spencer) cheated on him with his boss Wade (Dax Shepard) and then he gets the message that his father died. So Judd returns home for the funeral where he sees his siblings Phillip, Paul and Wendy (Adam Driver, Corey Stoll, Tina Fey), and his mother Hillary (Jane Fonda) as well, of course. They don’t spend much time together and that’s for a reason. So when Hillary reveals that it was his father’s dying wish that they sit shiva together, more than just a little tension boils to the surface.
This Is Where I Leave You was mostly enjoyable but a little uneven all around. Some things were great about it, other things annoyed me a whole lot.