Plot: When Zohra (Sabrina Ouazani) meets Omar (Ramzy Bedia), they connect over a shared love for kung fu movies. It doesn’t take long until they are married and Zohra finds herself in a new city with a new job and a new friend in Binta (Eye Haidara). But after a rather smooth start, things get bumpy. Omar starts hitting Zohra and she finds herself unable to leave him. Instead she finds strength in training her fighting skills.
Kung Fu Zohra is probably the funniest film about domestic violence in existence, combining a martial arts comedy with astute commentary on DV – a combination that shouldn’t work but does somehow.
Plot: Ahmad (Ali Mosaffa) just returned to France from Iran to finalize his divorce from Marie (Bérénice Bejo). What he doesn’t know is that Marie already lives with a new man, Samir (Tahar Rahim) and his son Fouad (Elyes Aguis), a realization with which he struggles a bit. But not as much as Marie’s oldest daughter Lucie (Pauline Burlet). Since Ahmad and Lucie get along very well, Marie asks him to discover what’s going on. Ahmad agrees and suddenly finds himself deeper in his ex-wife’s new life than he thought he would be.
Le passé starts off as a very well-made, very normal divorce story. It then descends into melodramatic depths, though, that only hurt the credibility of and my interest in the story.
Ousmane (Omar Sy) is a cop in Bobigny, a rather poor suburb of Paris. He is trying to bust an illegal gaming ring which is attended by some pretty high up people. And then he stumbles on the body of the wife of one of Paris’ political leaders. The case actually belongs to François (Laurent Lafitte), a narcissistic careerist. But Ousmane doesn’t let go easily and talks himself into a partnership with François. And they both discover that things are way bigger than expected.
De l’autre côté du périph follows the trusted buddy cop movie formula pretty much to the letter, with the only difference being that it’s a French movie, so it’s a little more lax with nudity and there are people on strike.