Valerian and the City of a Thousand Planets (2017)

Valerian and the City of a Thousand Planets
Director: Luc Besson
Writer: Luc Besson
Based on:  Pierre Christin and Jean-Claude Mézières‘s comic Valérian and Laureline
Cast: Dane DeHaanCara DelevingneClive OwenRihannaEthan HawkeHerbie HancockKris WuSam SpruellAlain ChabatRutger HauerPeter HudsonXavier GiannoliLouis LeterrierEric RochantBenoît JacquotOlivier MegatonElizabeth DebickiMathieu KassovitzJohn Goodman
Seen on: 31.7.2017
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Plot:
Valerian (Dane DeHaan) and Laureline (Care Delevingne) are operatives, charged with maintaining peace across the universe. A new mission brings them into possession of a converter, the last creature of its kind. But they can’t expect to be the only ones who want that converter. Their mission brings them to Alpha, a city made for all kinds of species that harbors a secret in its heart.

The fact that this film thought that it would be the right move to take the comic Valerian and Laureline and transform it into Valerian alone, is already pretty indicative of the decision making in the entire film: it might look cool at first glance, but it’s short-sighted, stupid and offensive.

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Snow White and the Huntsman (2012)

Snow White and the Huntsman
Director: Rupert Sanders
Writer: Evan Daugherty, John Lee Hancock, Hossein Amini
Based on: the Snow White fairy tale
Cast: Kristen Stewart, Charlize Theron, Chris Hemsworth, Sam Claflin, Sam Spruell, Ian McShane, Bob Hoskins, Ray Winstone, Nick Frost, Eddie Marsan, Toby Jones, Johnny Harris, Brian Gleeson, Vincent Regan

Plot:
10 years ago, Ravenna (Charlize Theron) killed the good king, imprisoned his daughter Snow White (Kristen Stewart) and took over the kingdom with her evil magic. But now that Snow White turned 18, she managed to escape her imprisonment. Since Ravenna desperately needs Snow White’s youth and beauty for her own magic, she sends the Huntsman (Chris Hemsworth) after her. But soon he rather joins Snow White in her fight against Ravenna.

Snow White and the Huntsman is the kind of film that opens with an apple tree in full bloom and ripe apples at the same time which tells you everything you need to know about the film: it puts style so high over substance that it leaves all logic far, far behind. Which would have been okay, if it wasn’t also incredibly boring.

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