After the last stunt they pulled, the Four Horsemen have to lie low. Danny (Jesse Eisenberg) is growing increasingly frustrated with the situation – he doesn’t want to hide anymore, while Dylan (Mark Ruffalo), working as a double agent at the FBI, does his best to keep them off the Horsemen’s real trail. But when Lula (Lizzy Caplan) shows up in Danny’s apartment with a whole lot of knowledge about the Horsemen, it seems that the time of hiding is over anyway. Danny calls together the remaining Horsemen – Jack (Dave Franco) and Merritt (Woody Harrelson) to figure out a plan, only to realize that Lula wants to become one of them. So they start planning their heist, but things don’t go as planned.
While Now You See Me was an entertaining, if far from perfect, romp, Now You See Me 2 was simply a catastrophe. The best thing I can say about it is that it wasn’t entirely boring.
Kenya (Sanaa Lathan) knows exactly what she wants and what she wants her life to be. At the moment this means that she is focused on her career while dreaming of the perfect black guy to marry. But after spending yet another Valentine’s Day working long hours, she agrees to a blind date. Much to her surprise Brian (Simon Baker) turns out to be white, but also damn charming. Still Kenya doesn’t want to deviate from her plans, so all she does is hire Brian as her landscape architect. But will she be able to keep her distance?
Something New is a charming little film that strengthens its romance with a discussion of racism and racial relations. It’s not particularly subtle about that, but that doesn’t make it any less enjoyable.
Harper (Taye Diggs) is about to publish his autobiographical novel dealing with his time in college. But first there’s a different trip to the past he takes: his best friend from that time, Lance (Morris Chestnut) is getting married to his college sweetheart Mia (Monica Calhoun) and Harper’s the best man. So he travels to New York, leaving his girlfriend Robin (Sanaa Lathan) to join him later in the week. Which gives him the opportunity to reconnect with his friend and missed romantic connection from college Jordan (Nia Long).
The Best Man is interesting because it actually isn’t all that interesting at all: despite being a film that has both race and gender turned on the genre conventions’ head (since RomComs of this kind are usually targeted at and played by white women), it plays out pretty much exactly the same as what we’re used to. Which, from a cinematic pov, isn’t very captivating, but from a sociological pov, there’s much to dissect.