Chris (Mariel Hemingway) is trying out for the 1976 Olympic track and field team and doesn’t make the cut. But she does make the acquaintance of older and more experienced athlete Tory (Patrice Donnelly) and they hit it off immediately. They not only become lovers, Tory helps Chris train and finally convinces her own trainer Terry (Scott Glenn) to take Chris on to train for the next Olympic games in 1980. But training gets to Tory and Chis’ relationship: competition is high, Terry doesn’t want Tory interfering with Chris’ training in any way and jealousy isn’t very distant either.
Personal Best has many good qualities but I couldn’t get into it: I just never really cared much about any of the characters and ultimately remained bored by all of it.
While the events of The Bourne Ultimatum are unfolding, a government group spearheaded by Eric Byer (Edward Norton) tries to get the situation under control by shutting down all programs related to Treadstone. That means that they start killing operatives. But one of them, Aaron (Jeremy Renner), manages to escape and subsequently tries to get back his independence and freedom with the help of Dr. Marta Shearing (Rachel Weisz) who designed the drugs that gives the operatives a mental and physical edge.
The Bourne Legacy has a terrific cast, but falls flat in pretty much all other departments: The writing is a mess, the camerawork sucks, as does the editing, but worst of all is the direction.
Jason Bourne (Matt Damon) is still running, hiding and not remembering. But then he stumbles upon an article by Simon Ross (Paddy Considine) about himself, the Treadstone Project and Operation Blackbriar. So Jason goes to meet Simon to find out his source and get more info about his past. But in the meantime Noah Vosen (David Strathairn) is on Jason’s tail – and he wants nothing more than to make Jason go away for good.
The Bourne Ultimatumg is a rather satisfying conclusion to the trilogy and to Bourne’s story, though I didn’t get into it as much as I would have liked.
After the death of her mother, Baby Doll (Emily Browning) is left alone with her abusive stepfather (Gerard Plunkett) and her little sister. In an attempt to save her little sister from him, Baby Doll accidentally shoots her which is the ideal possibility for him to have her admitted to a mental hospital. There, the stepfather bribes an orderly (Oscar Isaacs) into getting Baby Doll lobotomised. The only defense Baby Doll has left is retreating into a fantasy world (and from there in yet another fantasy world) where she hatches a plan to escape.
I have pushed writing this review back and back again because I’m not in a ranting mood but this film deserves little else. Apart from the screwed up empowerment message this movie sends, it’s just not a very good film. Not even the special effects held up the end of their bargain. And that’s just sad. At least the soundtrack was cool.