Einar (Eddie Redmayne) and Gerda (Alicia Vikander) are both painters and a happily married couple. While Einar may be more successful than Gerda, at least for now, that doesn’t keep her from continuing to work. When her dancer friend Ulla (Amber Heard) is late for modelling, Gerda asks Einar for help. He feels silly at first, but as he gets in the role, something happens. Einar creates Lili and slowly Lili fights her way to life inside of him.
The way I just described the plot already shows that The Danish Girl is a deeply problematic film – because that is actually an accurate description of how it portrays being trans*. It boils down to a film that is completely misguided and misinformed about what transgender actually is and tears everything apart that stands in the way of that distorted vision, even the basis in reality that it supposedly has.
John McClane (Bruce Willis) hasn’t heard from his son Jack (Jai Courtney) in years, and he now finds out that Jack has been arrested for murder in Russia. So John flies to Moscow to help, if possible. But as he arrives at the courthouse, a bomb explodes and Jack makes a run for it, together with political prisoner Komarov (Sebastian Koch). Turns out that there is more to the story than a delinquent son and John finds himself in the middle of it.
Oh boy. I think the most positive thing I can say about this movie that it’s at least not as racist and misogynistic as Live Free or Die Hard. But everything else… No. Just no. There is really nothing redeeming about it.