Rickie (Shiloh Fernandez) and JT (Noah Segan) decide to ditch school and explore the local abandoned mental hospital (as you do). In the basement of said hospital they stumble upon a chained, naked woman (Jenny Spain) who isn’t dead, much to their surprise. Or at least nor really. JT sees the perfect opportunity to acquire a sex slave, while Rickie is a little more hesitant.
Deadgirl could have been an interesting comment on rape culture and the (sexual) objectification of women. Unfortunately instead it tries to be clever without actually understanding what it is about. And that just means it sucks so much there are hardly any words for it.
Sarah (Brit Marling) works for a private security company. Their newest client is worried about ecoterrorist group The East, so Sarah gets the assignment from her boss (Patricia Clarkson) to infiltrate them. After a long search, Sarah meets Luca (Shiloh Fernandez) who brings her into the group which is (unofficially) led by Benji (Alexander Skarsgard). Even though it isn’t easy to get in at first, Sarah quickly finds herself in deeper than she ever thought.
The East is exciting, interesting and well acted. It asks many smart questions and though the way it ultimately resolves those questions was a little unfortunate, especially since it tries not to resolve anything too clearly for the first 112 minutes (runtime: 116 min). But it is still excellent.
As long as they can remember, the inhabitants of Daggerhorn have been living with a werewolf at their doorstep. A situation that imposes some restrictions on them but that they have learned to deal with. Valerie (Amanda Seyfried) lives a rather normal life in Daggerhorn. She’s in love with Peter (Shiloh Fernandez), though her family, especially her mother (Virginia Madsen), wants her to marry the rich Henry (Max Irons). So Valerie and Peter decide to run away. But before they’re able to go through with their plan, Valerie’s sister is killed by the werewolf, Father Solomon (Gary Oldman), a werewolf-hunting priest, shows up and things change quickly.
Red Riding Hood delivers mostly what it promises: uber-camp. The only problem is that its three leads in the love triangle (Seyfried, Fernandez, Irons) actually take this film seriously. I mean, not even the set designer did – but these three do and it is a little weird. But then Gary Oldman makes up for it all.