Plot: Marie (Rosamund Pike) is completely devoted to her work, but when she loses her spot in the lab, her project is threatened. When Pierre (Sam Riley) offers her a workspace in his own lab, she is hesitant to accept because she doesn’t want to have to depend on him and she certainly doesn’t want anybody interfering with her work. But she doesn’t really have any options, so she does agree. This is the beginning of their collaboration and Marie’s lifelong fight to have herself and her work recognized.
I think I wanted to like Radioactive better than I actually did. It does bring some new perspectives to the story, but not all of the ideas here work as they should.
Prince Hamlet (Benedict Cumberbatch) just returned to Denmark after his father’s death. His mother Gertrud (Anastasia Hille) has quickly remarried – and who else but Hamlet’s uncle Claudius (Ciarán Hinds)? But Hamlet’s father still haunts the castle grounds and he tells Hamlet that it was his own brother who killed him. Now it’s upon Hamlet to set things right again. But Hamlet’s grasp on sanity is slipping. Or maybe that is all a ruse?
I have seen Hamlet now in many iterations and just like Shakespeare’s historical plays aren’t for me, Hamlet isn’t for me either. This production certainly didn’t change my mind. (The only notable exception to that rule is Branagh’s Hamlet. And North’s To Be or Not To Be, which I have yet to read in its entirety/play through.)