Elektra is a drama (later turned opera libretto) written by Hugo von Hofmannsthal. It’s based on Sophocles‘ play.
Finished on: 21.11.2018
After Agamemnon returned from the Trojan war, his wife Klytaemnestra and her lover Aegith killed him and took over power. Their children survived: Orest was hidden and raised to avenge his father’s death, Chrysothemis tried to keep her head down and just survive, and Elektra devoted her time to remembering her father and dreaming of revenge. But now it appears that Orest has died in his exile without being able to fulfill his duty and Elektra has to see what she can do about that.
Elektra is an interesting play, but one that isn’t easily read – I would like to see it performed to see if I would react differently to it. (I’m not sure if I would enjoy the opera version, though.)
Director: Jette Steckel
Writer: Sophocles, translated by Frank-Patrick Steckel
Cast: Aenne Schwarz, Mavie Hörbiger, Joachim Meyerhoff, Mirco Kreibich, Martin Schwab
Seen on: 26.6.2016
Antigone’s (Aenne Schwarz) brothers have both fought on opposite sides in Thebes’ civil war and they both died doing it. As if that wasn’t bad enough, King Creon (Joachim Meyerhoff) has decided that Polyneices, who fought against him, is to be left unburied outside the city gates. Antigone can’t bear the thought that one of her brothers should be thus treated. She tries to convince her sister Ismene (Mavie Hörbiger), but ultimately she goes alone to bury Polyneices, despite Creon’s having expressly forbidden it.
Antigone is a fascinating play and the production I saw was interesting in many ways, but not successful in all aspects.