Plot: Annie Clark (Annie Clark aka St. Vincent) has asked her best friend Carrie Brownstein (Carrie Brownstein) to shoot a documentary about her as she goes on tour. Carrie is committed to show Annie like she really is, both on-stage as St. Vincent and off-stage as Annie. But it quickly becomes apparent that Annie is not really interesting. In their attempts to bring St. Vincent and Annie Clark a little closer together, things start to spiral out of control and the line between documentary and fiction, movie making and reality blurs more and more.
The Nowhere Inn is a strange film that works for the most part, both as meta-/autofiction and as advertising for St. Vincent. It is certainly worth it to let yourself be taken on that ride.
XX is a strong and very entertaining anthology film that I enjoyed a lot. I particularly loved the animated transition sequences between the segments by Sofia Carrillo that turned into its own small story in the end.
But of course, there was also much to like about the actual segments of the film – I talk about each individually after the jump.
Vincent (Bill Murray) seemingly hates everything but alcohol and his weekly sessions with sex worker Daka (Naomi Watts). But he also needs money and when newly single mom Maggie (Melissa McCarthy) moves in next door, desperately in need of help with her son Oliver (Jaeden Lieberher), Vincent offerst to babysit Oliver in the time between end of Oliver’s school and end of Maggie’s job. As Oliver soon discovers, there is more to Vincent, though, than meets the eye.
St. Vincent is nice, but ultimately completely inconsequential, brings nothing new to the table and, apart from the parts that annoyed me, I’ll probably forget it as soon as I finish this review.