Vera (Judith Engel) is preparing to direct her first television film, a remake of Die bitteren Tränen der Petra von Kant. Everything is pretty much set to go and things are about to start. All that is missing is the lead actress. Vera has a day of casting lined up with the available candidates and Gerwin (Andreas Lust) as a stand-in to read the lines with the actresses. But things don’t really go the way Vera, or anybody else, planned.
Casting may not be a laugh out loud comedy, but it is funny, emotional, smart and full of biting, feminist commentary that I didn’t expect, but very much appreciated.
Plot: Heinrich von Kleist (Christian Friedl) is looking for somebody to enter a suicide pact with, but his current love is unwilling to die with him. Whenn he meets Henriette Vogel (Birte Schoeink), he is convinced that he has found a person equally as lonely, despite her apparently rich life, and intrigued by the idea of dying together as him. But Henriette is less convinced of that, at least at first. But when she learns that she is very ill, her thoughts keep returning to Heinrich’s offer.
Amour Fou has many things to commend it, especially beautiful sets and camera work, and dialogues full of wonderful languages. Nevertheless I felt that it moved way too slow and I couldn’t really get into it.