Plot: Jean Seberg (Kristen Stewart) leaves her husband Romain Gary (Yvan Attal) and their son (Gabriel Sky) in France to go to the USA to shoot a movie. On her flight, she meets Hakim Jamal (Anthony Mackie) and finds herself drawn to him, as well as to his politics: he fights for (Black) civil rights. Jean becomes involved with Hakim and the cause, drawing the attention of the FBI who fear that her celebrity status will lend to much credence to the civil rights movement. They send agent Jack Solomon (Jack O’Connell) to spy on her and embark on a campaign to completely discredit Jean, utterly destroying her reputation.
Seberg has its heart in the right place, but it does make some problematic choices in the way it tells its story, leaving it to undermine itself.
Plot: In 1956, Ruth Bader Ginsburg (Felicity Jones) is one of only a handful female law students. But she’s ambitious and smart, has a supportive husband in Marty (Armie Hammer) and doesn’t let herself be discouraged. But sticking to her guns is only half the battle for her, and for the next years, Ruth has to fight for her place in the world of law and of women in the world in general over and over again.
On the Basis of Sex is an excellent film. Well made with a wonderful cast and politically outspoken. That’s how I like my movies.
Chris (Daniel Kaluuya) and Rose (Allison Williams) have been dating for a while and now it’s time for Chris to meet Rose’s parents. The upcoming encounter fills Chris with dread, not only because it’s always a little terrifying to meet your in-laws, but also because Chris is black, Rose and her family are white and Rose never had a black boyfriend before. Chris steels himself for casual racism, but when he and Rose get there, something more than that seems off.
I had been looking forward to Get Out for quite a while and my expectations were really very high. When a film comes with that many accolades, it’s rare that it actually manages to live up to them. But I’m very happy to say that Get Out definitely does.
Plot: John Edgar Hoover (Leonardo DiCaprio) dreams of a bureau of invesitgations that is based on scientific principles and used against the bolshevik threat he sees for the country. He gets his chance to start such a bureau and with the help of his trusted secretary Helen Gandy (Naomi Watts) and his soon to be second in command/love of his life Clyde Tolson (Armie Hammer) he is soon very successful. But once risen to power, Edgar clings to it desperately, not caring much for concerns like legality.
I really liked this movie very much and nobody is as surprised about it as I am. I mean, a Clint Eastwood movie that’s not boring? How did that happen?