Plot: Lee Israel (Melissa McCarthy) is a biographer. Or rather, she was – the people she would like to write about are barely of interest anymore, and coupled with Lee’s difficult personality, she just isn’t able to sell her books anymore to a publisher. So Lee needs another source of income. When she sells a letter she received from Katherine Hepburn to Anna (Dolly Wells) who sells books and autographs, Lee may have found a way out of her misery: she turns to forgery.
Although Can You Ever Forgive Me? is an interesting portrayal of a complex and unusual woman, it was a little disappointing for me. I just didn’t connect enough with it.
Plot: After a promotion that his superior feels was actually unearned, Captain John Boyd (Guy Pearce) is reassigned to Fort Spencer, middle of nowhere. The fort is small and there are only a handful of soldiers posted there. Soon after his arrival, a man (Robert Carlyle) shows up at the fort. He is in bad condition and once he finds a little strength, he starts telling them of his party who turned to cannibalism to survive. The soldiers in the fort know they have to do something about them.
Ravenous had been on my watchlist for a very long time and while I didn’t love it, it was really good. I’m glad I finally got around to it.
It’s the early 1980s and Ned (Mark Ruffalo) has had it with the sex-obsession of the gay community who celebrate their fight and their right to (physically) love whomever they want to love. By chance Ned finds out that a new illness is making the rounds among gay men, maybe a kind of cancer. Maybe even something that is sexually transmitted. Ned takes up the fight to raise awareness for it, though his calls for caution in the sex department fall on deaf ears. As the illness keeps spreading, confounding the few doctors who bother to look into an illness that mostly concerns gay men, Ned’s activism becomes more frantic, estranging him even from his co-fighters.
The Normal Heart was pretty much like I expected it to be: grand emotions and forceful pulling on heartstrings, excellent performances and a whole lot of message.
A mixed group of people stand in the desert, awaiting some kind of spectacle. A policeman (Stephen Spinella) gives them a quick introduction that this movie will be a hommage to “No Reason” and then an accountant (Jack Plotnick) hands out binoculars and they start to watch. The film they’re seeing is about a tyre which comes alive, discovers that it has telepathic abilities, falls in love with a woman (Roxane Mesquida) and finally goes on a murderous rampage.
Rubber is weird, but in a good way. It’s a winning combination of humor, ideas, meta-ness and sheer what the fuck that might not be as deep as it wants to be, but is definitely as entertaining.