Plot: Five years ago, something happened. Something came and whoever saw it, committed suicide. Malorie (Sandra Bullock) and her children Boy (Julian Edwards) and Girl (Vivien Lyra Blair) managed to stay alive so far and found a community with several other survivors. But things have changed now and what used to be safe, isn’t anymore. Malorie has to find another haven for her children and herself.
Bird Box felt a little like a genre movie made by people who don’t actually have much to do with genre at all. It looks great and the acting is awesome, but oh the tropes and clichés…
George Pemberton (Bradley Cooper) has a successful timber business and things seem to work out perfectly when he meets Serena (Jennifer Lawrence) on a trip. They fall in love and get married quickly and when George brings Serena back home, she immediately gets involved in the business, into which she has some insight. But not everybody is so happy about the new alliance and the intensity of George’s and Serena’s relationship also proves difficult.
Serena starts off well enough but then it pretty much implodes, leaving me feeling like it didn’t actually know what story it wanted to tell in the first place.
Ida (Trine Dyrholm) has just halfway recovered from breast cancer and is planning a trip to Italy where her daughter Astrid (Molly Blixt Egelind) is about to get married to Patrick (Sebastian Jessen). But just before she leaves, she catches her husband Leif (Kim Bodnia) in bed with Thilde (Christiane Schaumburg-Müller), her son Kenneth (Micky Skeel Hansen) deploys as a soldier, she meets Patrick’s father Philip (Pierce Brosnan), a grumpy workaholic and widower, and it just seems a time for rebooting all around.
Den skaldede frisør is quite the departure from Hævnen. Where that movie was all heavy earnestness, Den skaldede frisør is mostly entertaining fluff (in fact, the parts that try to be more serious don’t work out that much). Not quite what I expected, but I did enjoy it.
After the death of his mother, Christian (William Jøhnk Nielsen) and his father Claus (Ulrich Thomsen) move back to Denmark from London. That is, Claus still keeps working there and Christian stays with his grandmother. In his new school he violently defends Elias (Markus Rygaard) who is bullied a lot. Elias’ parents are in the process of getting a divorce – Anton (Mikael Persbrandt) spends most of his time in Africa as a doctor. Both boys feel left alone but strike up a friendship with each other. But Christian’s (self-)destructive tendencies are spiraling out of control.
Hævnen is a very serious movie. It asks Big Questions(TM) about difficult subjects and it does so very well. But all this seriousness gets a little stifling at times and then you wish that they’d just crack a joke. A little one. Please?
That is not to say that it isn’t an excellent film – it is. It’s just so obvious that the people involved decided that they would make foremost an important film. Everything else came second.