Plot: After the suicide of a nun there, Father Burke (Demián Bichir), an exorcist weighed down by his past, is sent to Romania to investigate her suicide and to figure out if something more is going on. By his side is the novitiate Sister Irene (Taissa Farmiga) who had visions that might relate to the incident. As they arrive at the convent in the middle of nowhere, they find that there is more to the suicide and to the convent itself than they had anticipated.
As a fan of the Insidious and Conjuring movies, I wanted to see The Nun, but I have to admit that it can’t quite keep up with this films. It’s an okay horror film, but I just expected a little more.
Paul (Ethan Hawke) and his dog are travelling on their own when their paths cross with a drunk priest (Burn Gorman) who tries to rob them. Although Paul gets the better of him, after the encounter he decides to pass through the small town of Denton. But trouble follows him there and he finds himself provoked by deputy Gilly (James Ransone). After a quick fight and a polite visit by the Sheriff (John Travolta), things seem to be resolved. But maybe Paul can’t shake Denton quite as quickly as he thought.
In a Valley of Violence is basically John Wick in the Wild West, but since I’m not much of a Western fan, that transfer didn’t completely work for me, although there is much to enjoy about the film.
Melanie (Taissa Farmiga) and Dan (Ben Rosenfield) have been together since they were kids and are still very much in love. Now an exciting new time has begun for both of them. Dan works as an intern for a record label and Melanie started college. But the changes to their lives start to disrupt their relationship, and rather violently at that. Will they be able to work things out or do they have to face the fact that their more adult selves will go their separate ways?
The question of what happens to a relationship when the people involved undergo big transformations – will they develop in the same direction or rather grow apart? – is interesting, and in a coming of age context it seems particularly intriguing. But unfortunately 6 Years couldn’t really sustain my initial interest.
When Amanda (Malin Akerman) was younger, she played a part in a slasher – Camp Bloodbath – that has since risen to cult status, but now she’s struggling through endless castings. At least she can always count on her daughter Max (Taissa Farmiga). But their harmonious, albeit precarious existence is blown apart when Amanda dies suddenly. Max tries her best to deal with her grief, but it’s hard. When there is a tribute screening of Camp Bloodbath, Max can barely bring herself to attend, but she lets herself get dragged there. Then she and her friends somehow get sucked into the film itself and maybe this time, Max will get the chance to save her mother’s life.
I absolutely loved Final Girls. It’s a genre-savy meta parody that has a lot of love for the movies it pokes fun at and it even adds an honest emotional core.
Marc (Israel Broussard) is new to his school but quickly connects with Becca (Katie Chang). The two of them obsess over fashion and celebrities together, which leads to them heading to Paris Hilton’s home when they know she isn’t there. They find the key, they enter, they steal a bit, they tell their friends about it. And then they return and take their friends with them. Pretty soon, robbing celebrities becomes a regular thing for all of them.
I’m not a big fan of Coppola’s work and this movie proved to me again why that was the case. It was weird and boring and generally pretty damn awful.