Plot: It’s the 60s and Hans (Franz Rogowski) is once more arrested and imprisoned for “sexual deviancy”, for having sex with other men. It’s not the first time, and back in prison, he quickly settles into the routine when he sees two familiar faces. One is Leo (Anton von Lucke), one of the men Hans had sex with, a young teacher utterly lost in prison life. The other is Viktor (Georg Friedrich) with whom Hans shares a long history, and a connection that runs deep – and becomes deeper still.
Große Freiheit is a sensitive film with great performances about a horrific part of (German) legal history. And it’s also a beautiful love story.
Content Note: intense homomisic violence and general homomisia (both shown critically), critical treatment of racism against muslims, bimisia
Plot: Mario (Thomas Prenn) is stuck in the little mountain village of Hochwald where he sticks out like a sore thumb – a flamboyant dancer, he really has no place in the conservative town. The only one who really seems to understand him is his best friend Lenz (Noah Saavedra) who escaped the village in pursuit of an acting career. He is back for a few days before heading to Rome where he wants to meet his agent. In an act of defiance, Mario joins him and they go to a gay bar. But while they are there, the gay club is attacked and many people die, including Lenz. Mario returns home, heartbroken, to find practically nothing but hostility in Hochwald. How can he go on like this?
Hochwald is really excellent queer cinema made in Austria. Fantastic setting, nicely set in scene and a very thoughtful approach to a very difficult topic. While I didn’t love every detail about it, I absolutely loved the film as a whole.