Come to Daddy (2019)

Come to Daddy
Director: Ant Timpson
Writer: Toby Harvard
Cast: Elijah Wood, Stephen McHattie, Garfield Wilson, Madeleine Sami, Martin Donovan, Michael Smiley, Simon Chin, Ona Grauer
Part of: /slash Filmfestival
Seen on: 22.9.2019
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Plot:
Norval (Elijah Wood) doesn’t have a great life. He lives with his mother, struggles with alcoholism and his life just doesn’t seem to go anywhere. That’s when a letter from his father reaches him – the father he hasn’t seen since he was a kid. He asks Norval to come for a visit, so he packs his bag and sets off, hoping to reconnect. But when he sees Gordon (Stephen McHattie), it quickly becomes obvious that the bonding that Norval was hoping for probably isn’t going to happen. And then things get worse.

Come to Daddy starts off okay and then gets increasingly more boring and I grew ever more disinterested in any of what was happening, especially since it is a film that is very invested in toxic masculinity. No, thank you.

The film poster showing the drawing of a glass of whiskey with two ice cubes. the top of the ice cubes are the cliffs in a lake with a house overlooking it.
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The Greasy Strangler (2016)

The Greasy Strangler
Director: Jim Hosking
Writer: Toby Harvard, Jim Hosking
Cast: Michael St. Michaels, Sky Elobar, Elizabeth De Razzo, Gil Gex
Part of: /slash Filmfestival
Seen on: 30.9.2016
[Review by cornholio.]

Plot:
Ronnie (Michael St. Michaels) and his son Brayden (Sky Elobar) give 70s-Disco-themed city tours together. They also live together and generally spend most of their time together. They are rather settled in their lives, but things do get shaken up a bit, when oiled up serial killer The Greasy Strangler starts to haunt their city. Around the same time Janet (Elizabeth De Razzo) takes their tour and Brayden quickly falls for her. But Ronnie may be interested as well.

The Greasy Strangler is a weird animal of a film. I could go along with some of its weirdness, but definitely not with all of it. Altogether I wasn’t particularly taken with it.

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ABCs of Death 2 (2014)

ABCs of Death 2
“Sequel” to: The ABCs of Death
Part of: /slash Filmfestival
[Reviews by cornholio and Maynard Morrissey.]

Plot:
Like the first film, ABCs of Death 2 is an episode movie in which 26 directors each got a letter in the alphabet to which they chose a word from which they built their story/short film. The letter M was given to an unknown director through a contest.

Of course there are segments that I liked better than others and some I didn’t like at all, but altogether, I liked ABCs of Death 2 better than The ABCs of Death. Julien Maury – who was a guest at this year’s /slash – told us beforehand that one of the rules they got for their segment was that they shouldn’t use too much toilet humor. Apparently all the directors got that memo and it really does help. Watching 26 short films in a row is certainly exhausting, but since the last few segments are particularly strong, you don’t feel it as much. I really enjoyed myself.

As a warm-up we got to see the M-finalist Le Meat by Austrian Wolfgang Matzl (who also did the fantastic credits animation for the feature) which was really cool, funny and weird. A great way to get started!

[After the jump, I’ll talk briefly about all the segments separately. That includes listing the directors, writers (as far as I could find out who wrote what) and the names of each segment. Since it was fun to guess the titles while watching the film, you might not want to read on if you haven’t seen it yet.]

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